Master of Arts (postgraduate) | Master of Arts | Master of Business Administration | Master's degree | Master of Science | master's degree | Master of the Rolls | Master | Master P | Master of Laws | Master of Fine Arts | Master of Arts (Oxbridge and Dublin) | Master of Divinity | Old Master | Master's Degree | Master and Commander: The Far Side of the World | Master of Wine | Master of Education | His Master's Voice | Captain N: The Game Master | Master of the Horse | Master-General of the Ordnance | The Master and Margarita | Master of Theology | master | Master's | Master of ceremonies | Master of Arts (Scotland) | Master of Arts (Oxbridge) | Master of Architecture |
With her extensive experience as a mosaicist, Goodwin lectures and gives master classes, and has performed a curatorial role for the Royal Albert Memorial Museum in Exeter.
Since 1995 András has been a regular participant of international master classes all over the world, including master classes held by Leo Brouwer, Abel Carlevaro, Costas Cotsiolis, Aniello Desiderio, Zoran Dukic, Pablo Márquez, Judicaël Perroy, David Russell, Thomas Müller-Pering, Barna Kováts and Tamás Vásáry.
In 1988, he started the Accademia Internazionale Estiva di Cervo with his wife Elfe, a meeting forum for young musical talents from all over the world, who attend master classes held by prestigious international musicians every September 1 to 12.
In addition, Foard is the Adjunct Professor of Tuba and Trombone for the West Virginia State University Music Department giving, private lessons via Skype with occasional in person lessons and master classes.
The twins were educated in the State Conservatory of Dokuz Eylül University in İzmir, and then attended the master classes of Lia Lantieri (1998), Katia Ricciarelli (2000), Dolora Zajick (2000–2003) and Plácido Domingo (2003–2004).
Every summer he holds conducting master classes and is a guest conductor in Granollers in Catalonia, Spain.
The most significant developmental elements in the early years of Circus Oz were the 32 week 1979 season at the Last Laugh Theatre Restaurant in Melbourne, the Chinese acrobatic master classes and the groupʼs relations with The Flying Fruit Fly Circus.
Herwig has conducted master classes, seminars and workshops at hundreds of universities and conservatories around the world including the Sibelius Academy, Finland; the Royal Irish Academy, Dublin; the University of Köln, Germany; Eastman School of Music, Rochester, N.Y.; and the University of Southern California.
He took master classes with Daniel Roth, Wolfgang Rübsam and Guy Bovet (organ), Egidius Doll, Peter Planyavsky and Theo Brandmüller (organ improvisation) and Günther Ludwig (piano).
He has participated in numerous master classes and concerts in France, Israel, New York and Japan working with José van Dam, Teresa Berganza and Gabriel Bacquier among others.
Respected by the musical elite, Di Xiao has enjoyed private master classes with Alfred Brendel, John Lill, Peter Donohoe and Simon Trpčeski.
Soloists of prestigious orchestras as the Academy of Saint Martin in the Fields and the Mahler Chamber Orchestra, have been invited to work with Ensemble XXI on its International Music Course developed in the town of Peralta de la Sal, Huesca province, in Aragon; and on Master Classes held in the Conservatory of Music "Miguel Fleta" from Monzón.
Eugene Rittich (15 August 1928 – June 18, 2006) was a Canadian musician who taught horn, chamber music, conducting and ensemble master classes and seminars for over 30 years in Canada, the United States, Japan, Australia and New Zealand.
He has given master classes throughout the world, including the Guildhall School of Music in London, the Hochschule für Musik in Leipzig, the Estonia Music Academy in Tallinn, the Toho Gakuen School of Music and the Kunitachi School of Music in Tokyo.
Led by Edna Golandsky, Artistic Director, the Institute holds an annual seminar at Princeton University and hosts symposia and master classes worldwide.
Her numerous concerts, master classes and recordings led her to work with numerous musical personalities: Eduard Melkus, Christian Lardé, Luciano Sgrizzi, Luigi Ferdinando Tagliavini, Pierre Boulez, Paul Kuentz, Bruno Amaducci, Andreas Adorjan, Lionel Rogg, Karl Scheit, Gerald Sonneck, Alfred Planyavsky, Hans Jürg Lange, Jean-Pierre Rampal, etc.
A graduate of the Academy of Performing Arts in Prague under Ivan Klánský, Ivo Kahánek also studied for one semester on the Advanced Instrumental Studies course at the Guildhall School of Music and Drama in London under Ronan O´Hora and participated in master classes with Karl-Heinz Kämmerling, Christian Zacharias, Alicia de Larocha, Imogen Cooper, Peter Frankl and many others
She teaches Master Classes at the Orient-Express Hotels worldwide, at the Chelsea Physic Gardens, London and at the New York Botanic Gardens.
Callas at Juilliard (1988) focuses on her master classes given in New York in the 1970s and it inspired playwright Terrence McNally to write the Tony Award-winning play Master Class.
There he took part in master classes of singers like Renata Scotto, Christa Ludwig, Teresa Berganza, Ileana Cotrubas and sung roles in the Magic Flute (Tamino), Carmen (Remendado), The Barber of Seville (Almaviva), Gianni Schicchi (Rinuccio), among others.
She has participated in the master classes of distinguished artists such as Alicia de Larrocha, Claude Franck, Jon O'Connor, and Jerome Rose.
He studied piano with Michael Leuschner at the Freiburg Musikhochschule, and later studied in master classes with Aloys Kontarsky, for piano, and Hans Zender und Johannes Kalitzke for conducting.
LITMA hosts master classes, including one given in the summer of 2006 by Jay Ungar and Molly Mason, and another by Cathy Mason of Grand Bois.
After her retirement from the recital stage in 1951, Lehmann taught master classes at the Music Academy of the West in Santa Barbara, California, which she helped found in 1947.
In Spain he offered master classes at the Madrid Superior Royal Conservatory of Music and in France during the International Music Encounter in the city of Bièvres and at the Bourges International Festival.
Katims gave viola master classes in China and Israel, taught at various colleges such as Juilliard in New York and Northwestern in suburban Chicago, as well as the University of Washington, and transcribed and edited viola music.
Kolodin participates regularly in the Master Classes of many world-renown professors, whose names include Vitaly Margulis, Hans Leygraf, Jacques Rouvier, Dmitri Bashkirov, Joaquín Soriano and Vera Gornostayeva.
He attended master classes and individual lessons with Mauricio Kagel, Helmut Lachenmann, Jean-Claude Risset, Luciano Berio, Pierre Boulez, Brian Ferneyhough, Frederic Rzewski, Magnus Lindberg, and others.
Since then and thanks to the baritone Jorge Chaminé the Villa is an important venue to concerts and Master Classes.
The program of the festival concentrates mostly on young singers, the audience attend four different sections: the Klaudia Taev Competition for opera singers, opera production, master classes and concerts.
In 1982 and 1984, Romus attended the Stanford Jazz Workshop summer programs where he participated in master classes led by Stan Getz, Bruce Forman, Eddie Moore, and Dizzy Gillespie.
He complemented his studies by taking master classes and lessons with Mstislav Rostropovich, János Starker, Steven Isserlis, Boris Pergamenschikow, Miklós Perényi, Valentin Erben (Alban Berg Quartet), William Pleeth, Zara Nelsova, and Ferenc Rados.
He teaches master classes for beginning and established architects with his colleagues Glenn Murcutt and Peter Stutchbury.
He took lessons and master classes with various teachers, for example David Thornton, Nick Ost, Steven Mead, David Childs, Roger Bobo and Thomas Ruedi.
He is frequently invited as a jury member at international violin competitions and master classes such as the International Holland Music Sessions and Keshet Eilon in Israel.
Like the Aspen Music Festival and School and the Tanglewood Music Festival, the Sarasota Music Festival not only presents concerts by established artists but also consists of a summer music academy in which emerging professional musicians participate in performances, master classes and workshops designed to provide an intense training and networking experience.
Sibylla Rubens studied voice (concert and opera) at the Staatliche Musikhochschule in Trossingen and at the Hochschule für Musik in Frankfurt and in master classes with Edith Mathis.
He is currently directing “At Work”, an itinerant and digital project with lettera27 Foundation, in partnership with Moleskine, as well as the Pan African Master Classes in Photography, project that he conceived with the Goethe Institut, and setting up the collection of contemporary art for the future Memorial Acte Museum in Guadeloupe.
In addition, Sila has participated in master classes with many artists including Yuri Gandelsman, Bruno Pasquier, Claude Frank, Peter Frankl, Kim Kashkashian, Karen Tuttle, Roger Bigley, Eric Schumsky, Steven Dann, the Vermeer Quartet, Tokyo Quartet and the Emerson Quartet.
In 2006 she participated in the Taipei Arts Festival and was accepted by George Vatchnadze and Boris Slutsky, two masters guide; and by Gergely Boganyi Masters appreciation performed in master classes, sponsored by the Council for Cultural Affairs in 2007.
The SFIC produced master classes by some improv teachers including Charna Halpern (IO Theater), Mick Napier (Annoyance Theatre), David Razowsky (Second City Los Angeles), and Ian Roberts and Matt Besser (Upright Citizens Brigade).
On several occasions, she participated in arranging seminars on harp playing for master-classes at Hartford University (USA) with Aristid von Würtzler.
An active chamber musician, Kawasaki is a founding member of the D'Amici String Quartet along with world-renowned musicians Federico Agostini, James Creitz and Sadao Harada giving critically acclaimed performances and master classes in Europe and Japan.
After teaching at various colleges and master classes around the world, Neyman teamed up with Vilmos Zsigmond, ASC a fellow European cinematographer to form a new school of cinematography, the Global Cinematography Institute in 2011 with the mission to educate cinematographers, and to preserve and extend the role of cinematographer as the major expert and contributor in the image building process in all current and future variations of the complex mix of artistry and technology.