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Kupferstichkabinett is the German word for print room.
A copy by him of Teniers's Le Bonnet Rouge was "of the most striking perfection of finish and tone, capable of deceiving any one could it have but age" (manuscript notes in Anderdon, Collectanea Biographica, print room, British Museum).
The early models for the Imagist group were from Japan, and H.D. often visited the exclusive Print Room at the British Museum in the company of Richard Aldington and the curator and poet Laurence Binyon in order to examine Nishiki-e prints that incorporated traditional Japanese verse.