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He was part of the large Quaglio pedigree of Italian artists involved in architecture, indoor fresco decoration, and scenography (stage design) for the court theaters.
He was born in Crema, Italy, and studied at the Brera Academy before becoming an assistant to Carlo Ferrario, the professor of stage design at La Scala.
Shortly after graduation, she relocated to New York City where she provided stage design for LeRoi Jones / Amiri Baraka's The System of Dante's Hell and acted and modeled for Jack Smith (appearing in his film Flaming Creatures and photography book The Beautiful Book), before being introduced in 1962 to composer La Monte Young, with whom she has been associated ever since.
He left Spain for Paris, with his wife Philomene ("Filo") Stes, he became involved in stage design; he carried out works such as Voleur d'Images, Sonatina for the Opéra-Comique in 1929, La guerre de Troie n'aura pas lieu for Louis Jouvet's Théâtre de l'Athénée (1935).
Much about the life of Kenneth MacKenna, the history of Moses Mielziner, his grandfather, and the life of his brother Jo Mielziner can be learned through the respectful and accurate descriptions given in Mary C. Henderson's book about his brother, Jo Mielziner, Mielziner: Master of Modern Stage Design (2001).
The kidnapping of Beauty Note served as a script for the play "The kidnapping of tiny Note", which premiered in 1998 in the Theater of Young Viewer of TVP2, directed by Lena Szurmiej, music by Piotr Rubik and stage design by Julita Sander.
In 1955, he won the school’s First Prize for Stage Design, which led to his discovery by Dame Ninette de Valois and his commission to design for the Sadler's Wells Theatre, London.
Lebeck was born in Germany where he did stage design for Max Reinhardt.
His work has appeared in festivals (including Hong Kong's Clockenflap), Ralph Larmann's 'Stage Design' (published by daab, and featuring his work for George Michael), and in magazines such as Digital Arts and Total Production.
The stage direction was by Luca Ronconi and Ugo Tessitore, with costume and stage design by Gae Aulenti.
In 1940, Fedorovitch did stage design and "simple but gorgeous costumes" for choreographer Andrée Howard's best known work La fête étrange, for London Ballet, based on an episode in Alain Fournier's novel Le Grand Meaulnes.
In 1978, there was a production without spoken dialogue in an unauthentic musical arrangement, conducted by Wolfgang Sawallisch, directed by August Everding, stage design by Jürgen Rose in the Cuvilliés Theatre, Munich, and in September 2002 it was performed at Chemnitz Opera.