In 1940, he applied for work building stage sets at several theaters in Berlin and with the help of Wilhelm Fraenger, found work painting scenery at the Schiller Theater.
Founded in 1944 by the college's dean, Wilfred Bain, and then newly appointed artist-in-residence, Mary McCormic, the Opera Workshop presents one or more operatic productions each semester — fully mounted with orchestra, set, lighting, and costumes.
Since 1962 he works as independent Serbian and foreign film set designer.
Leadership in Energy and Environmental Design | Rhode Island School of Design | design | Art Center College of Design | Ulm School of Design | industrial design | Cadence Design Systems | interior design | Vitra Design Museum | sound design | Parsons The New School for Design | Harvard Graduate School of Design | Cooper-Hewitt, National Design Museum | Design | User interface design | Scenic design | Jonathan Wells (intelligent design advocate) | Interior design | Beaux-Arts Institute of Design | Architectural design competition | The Free Design | One-Design | National Institute of Design | Museum of Arts and Design | Moholy-Nagy University of Art and Design | Minneapolis College of Art and Design | Fashion design | computer-aided design | scenic design | Papyrus Design Group |
Alfred Weidler (né Alfred Wilhelm Carl Weidler 27 May 1886 Georgsmarienhütte, Germany — 16 June 1966 Los Angeles) was an architect who, after moving from Germany to Los Angeles in 1923, went on to became a prolific model builder for 40 years with 20th Century Fox.
The group not only provided the film music: Moritz R was partly responsible for the film's surrealistic scenic design, which resembled The Cabinet of Dr. Caligari-like German expressionism, whilst Frank Fenstermacher played a small role as an actor.
Kaiser's drama Side by Side (Nebeneinander, 1923), a 'people's play' (Volksstück), premiered in Berlin on the 3rd November, 1923, directed by Berthold Viertel with design by George Grosz.
In addition to appearing onstage with the Alliance Repertory Company in Burbank, California, Joel has also designed sets for productions there (Coyote on a Fence) and elsewhere Hudson Guild Theatre (Disappearing Act).
A theatrical production of the play became a priority for Brecht on his return from exile in 1947; he helped to direct its premiere at the Schauspielhaus Zürich, where it opened on 5 June 1948, with scenic design by Teo Otto.
Bel Geddes began his career with set designs for Aline Barnsdall's Los Angeles Little Theater in the 1916-17 season, then in 1918 as the scene designer for the Metropolitan Opera in New York.
The artist Alexandre Benois provided the scenic design for this production, which was conceived as a showcase for the actress Olga Gzovskaya.
scenic design by Timothy O'Brien and Tazeena Firth, costume design by Florence Klotz, and lighting design by Ken Billington.
Scenic Design was by John Lee Beatty (The Color Purple; Chicago; Talley's Folly).
Direction was by George Abbott, choreography by Lee Theodore, with scenic design by William and Jean Eckart, costume design by Donald Brooks and lighting design by Tharon Musser.
Scenic design was by William Ritman, costumes were by Joseph G. Aulisi and lighting was by Tharon Musser.
Following Max Reinhardt to New York, Harry Horner assisted Reinhardt in his staging of the Biblical musical spectacle "The Eternal Road" ("Der Weg der Verheissung"); the production had music by Kurt Weill; conducted by Harry Horner; opening at the Manhattan Opera House 1/7/1937-5/15/1937 with scenic design, costume design and lighting by Norman Bel Geddes.
In that version, the North's apartment is located on Greenwich Place, realized in a scenic design by Jo Mielziner.
A Passage to India (1962) Tony Award Best Scenic Design (nominee)
LeFevre was the associate to Bob Crowley for the 2000 production of Elton John and Tim Rice's Aida, which won a Tony Award for "Best Scenic Design".