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He himself wrote the famous Treatise on Tea, the most detailed and masterful description of the Song dynasty sophisticated style of tea ceremony.
On September 29, 1609, while in attendance during sankin kotai duty in Edo, he attended a tea ceremony held by Mizuno Tadatane, which was also attended by the hatamoto Kume Saheiji and Hattori Hanhachirō.
The section of Japanese ceramics, largely tea-ceremony objects, is varied and includes teabowls by Chōjirō and Nonomura Ninsei, as well as square dishes by Kōrin and Kenzan.
Sen Sōshitsu is the name of the head (iemoto) of the Urasenke school of the Japanese tea ceremony.
Based largely on the ideals and aesthetics of Zen Buddhism and the concept of wabi-sabi (beauty in simplicity), Higashiyama Bunka centered on the development of chadō (Japanese tea ceremony), ikebana (flower arranging), Noh drama, and sumi-e ink painting.
As Korean tea culture died with the advent of Yi Dynasty in 1392, this newly revived "Korean Tea Ceremony," propagated by Panyaro Institute closely resembles the Japanese Tea Ceremony, and is considered an outright copy by the Japanese Sado practitioners, much the same way Tae Kwon Do, Yudo, and Haedong Gumdo are seen as copies of Karate, Judo, and Kendo by the Japanese.
According to A.L. Sadler, the earliest extant example of a space attached to a chashitsu (room intended for the tea ceremony) that is describable as a mizuya exists at the Taian, a chashitsu designed by Sen Rikyū.
Raku ware, Raku ware, is a type of Japanese pottery that is traditionally and primarily used in the Japanese tea ceremony in Japan, most often in the form of tea bowls
Sen no Rikyū, the 16th Century Japanese master of the tea ceremony