Pink Floyd re-recorded the track for Italian director Michelangelo Antonioni's film Zabriskie Point, retitling it "Come In Number 51, Your Time Is Up" on the film's soundtrack album.
The Lovin' Spoonful version was also used in the 1966 British Antonioni film Blowup.
The video shows certain similarities to the ending of Antonioni's Zabriskie Point where several pieces of furniture are blown up similarly in slow motion and from different angles.
Runacre left the cast after a year and starred in such films as Pier Paolo Pasolini's The Canterbury Tales, John Huston's The Mackintosh Man, Robert Fuest's The Final Programme, Michelangelo Antonioni's The Passenger, and Derek Jarman's Jubilee (in which she starred as Elizabeth I and "Bod").
Novaro has said that the work of Andrei Tarkovsky, Michelangelo Antonioni, and Theodoros Angelopoulos inspired her narrative style particularly the way she sees her film story as poetry and not dramaturgy.
The theater played both first-run independent films and repertory showings, including retrospectives of such filmmakers as Ingmar Bergman, Michelangelo Antonioni, Akira Kurosawa and others, as well as genre-based retrospectives.
In Michelangelo Antonioni's film, The Passenger, the character of Locke (played by Jack Nicholson) is assassinated in a hotel located in Osuna (Hotel de la Gloria).
Richfield Tower was starkly featured in a few scenes of Michelangelo Antonioni's 1970 film Zabriskie Point, shot shortly before its demolition.
Photographs he took in Paris by Notre Dame Cathedral, which revealed scenes of a couple only upon processing, became the basis for Julio Cortázar's story, "Las Babas del Diablo", "The Devil's Drool", which in turn inspired Michelangelo Antonioni's 1966 film Blowup.
Largely inspired by filmmakers such as Andrei Tarkovsky, Stanley Kubrick, Federico Fellini, Robert Bresson and Michelangelo Antonioni, Ristovski developed a passion for filmmaking while living in Macedonia.
They then moved to New York for 9 months, where he spent a great deal of time watching movies by Italian neorealist directors such as Federico Fellini, Luchino Visconti, Michelangelo Antonioni, which sparked his interest in film.
Michelangelo | Michelangelo Antonioni | Michelangelo Pistoletto | Michelangelo Cerquozzi | David (Michelangelo) | Michelangelo Morlaiter | Michelangelo Antonioni | David (inspired by Michelangelo) | Caprese Michelangelo | ''The Drunkenness of Noah'' by Michelangelo Buonarroti | Michelangelo Unterberger | Michelangelo (Teenage Mutant Ninja Turtles) | Michelangelo's systematizing of the Campidoglio, engraved by Étienne Dupérac | Michelangelo Signorile | Michelangelo Palloni | Michelangelo Florio | Michelangelo Antonioni's | Michelangelo Alessandro Colli-Marchi | Antonioni's |
Following her divorce from Kelly, Blair moved permanently to Europe where she continued to appear in films, including Juan Antonio Bardem's Calle Mayor (1956) and Michelangelo Antonioni's Il Grido (1957).
Enzo Serafin (1912, Venice, Italy - 1995) was an Italian cinematographer, who cooperated with Michelangelo Antonioni (Cronaca di un amore (1950), La signora senza camelie (1953), I vinti (1953)), Roberto Rossellini (Viaggio in Italia (1954)), Ricardo Gascón, Ignacio F. Iquino, Luigi Zampa, Gianni Franciolini, Alfredo Guarini and others.
European art cinema gained popularity in the 1960s, with notable filmmakers such as Jean-Luc Godard, Federico Fellini, Michelangelo Antonioni, and Ingmar Bergman.
He has worked with great directors such as Federico Fellini in I Vitelloni, Michelangelo Antonioni in I Vinti and Luchino Visconti in his stage adaptation of Death of a Salesman.
This weekly, a precursor of “L’Espresso”, published work by many of twentieth century Italy’s foremost intellectuals: as well as Briganti himself these included Carlo Lizzani, Michelangelo Antonioni, Enzo Forcella, Giorgio Bassani, Renato Guttuso, Roberto Longhi, Anna Banti, Guido Carli, Arrigo Benedetti and Gastone Manacorda.
In Spring 2013, ECM released the record La notte by Ketil Bjørnstad, which generally took its inspiration from Italian filmmaker Michelangelo Antonioni while its title and cover were taken from the movie.
The Droolings of the Devil ("Blow-Up" in the US translation): the story that inspired the film Blowup by Michelangelo Antonioni for its digressive execution of metalinguistic narrative and lucid contemplation; (its beginning guarantees it, never will you know how it has to be told, if in the first person or in the second, using the third person plural or continually inventing forms that serve no purpose)
Massari become known in art cinema for two roles, the missing girl Anna in Michelangelo Antonioni's L'avventura (1960), and as Clara, the mother of a sexually precocious 14 year old boy named Laurent (Benoît Ferreux) in Louis Malle's Murmur of the Heart (1971).
Luchino Visconti and Michelangelo Antonioni worked on a treatment for a film to be called Il processo di Maria Tarkowska (The Trial of Maria Tarkowska), which was never made.
Although it was not identified by name, the park was the filming location of key scenes in Blowup (1966), a drama mystery-thriller film directed by Michelangelo Antonioni and starring David Hemmings, Sarah Miles and Vanessa Redgrave; the park is little-changed since the making of that film.
With the help of a friend, Robert found himself on the set of the Michelangelo Antonioni film Blowup, and concluded that he had to be a part of what was happening in the culture at that time, and saved up to buy a camera.
This series provided an overview of the works of various filmmakers such as Michelangelo Antonioni, Shirley Clarke, Roman Polanski, Alain Resnais, John Schlesinger, Jiri Trnka, Peter Weiss and Mai Zetterling.
Notably, Tarkovsky reveals his filmmaking philosophy and his admiration of films by, among others, Robert Bresson, Jean Vigo, Michelangelo Antonioni, Federico Fellini, Ingmar Bergman.