Minolta 9xi, a 35mm SLR camera designed and manufactured by Minolta
1998 : La Vie Sur Terre (Life on Earth) (35mm, 67 minutes), set on the last day of the millennium (commissioned for the 2000 Seen By... series featuring other directors such as Tsai Ming-liang and Laurent Cantet) and filmed in Sokolo, Mali, Sissako's father's village.
Brousseau was a keen photographer and amassed a collection of in excess of 20,000 color 35mm transparencies recording the native flora of California.
The movie, Demonium (2001), was his first 35MM project, made with completely professional actors and shot in English.
The camera's attributes are its optical viewfinder, modularity, and 35mm-width CMOS sensor.
Cages was shot in High Definition using the Panasonic Varicam AJ-HDC27F in 45 days and later transferred to 35mm.
Candyjam is a 1988 7 minute 35mm short animated film animated collaboration by ten animators from four countries produced and directed by Joanna Priestley and Joan Gratz.
When used on a digital EOS body with a field of view compensation factor of 1.3x, such as the Canon EOS-1D Mark III, it provides a narrow field of view, equivalent to a 36–390mm lens mounted on a 35mm frame body.
When used on a digital EOS body with a field of view compensation factor of 1.3x, such as the Canon EOS-1D Mark IV, it provides a narrow field of view, equivalent to a 390 mm lens mounted on a 35mm frame body.
When used on a digital EOS body with a field of view compensation factor of 1.6x, such as the Canon EOS 7D, it provides a narrow field of view, equivalent to a 56–560mm lens mounted on a 35mm frame body.
Canon EF-M camera, manual-focus 35mm film, SLR camera by Canon (introduced in 1991)
The Chautauqua Cinema has 35mm and digital projection, Dolby Digital sound and seats 350 people.
While attending California Institute of the Arts from 1971-76 in the Film (BFA) and Art (MFA) schools, Chris was extremely prolific, in particular producing about forty 16mm and 35mm films, in addition to assisting artists Robert Nelson, John Baldessari, and Jack Goldstein in the production of some of their films.
Inside Man was Universal's first DCP commercial release, and, in addition to 35mm film distribution, was delivered via hard drive to 20 theatres in the United States along with two trailers.
2000: Sorted - The first feature length, color 35mm motion picture to fully utilize the digital intermediate process in its entirety from inception to completion.
The Danny Boyle directed British horror film, 28 Days Later was also shot on MiniDV using the Canon XL1S, albeit with traditional Panavision 35mm film lenses.
She eventually selected the Olympus 35mm, which became her constant companion throughout her later years.
One of the first rock videos (along with "Beat It" and "New Frontier") to be blown up to 35mm film and exhibited in movie theaters as a trailer, the music video for "Fight Fire With Fire," directed by Dominic Orlando, was released theatrically across the USA in 1983 as a short subject with Francis Ford Coppola's Rumble Fish.
The Beseler Topcon line of 35mm cameras used the same lens mount as the Exakta.
Nikon F60, a low-end consumer-oriented 35mm film SLR camera
The archives also holds the Amet/Essany Studios Collection, covering the career and works of Waukegan native Edward Amet, a pioneer in 35mm motion picture projection.
Bill Warren, the science-fiction historian, was on the set during the filming; he reported that Vergara forced the director of the American sequences Jack Hill to tie down with a rope “an early portable video camera to the top of the 35mm Mitchell he was using as his principal camera.”
Mark Denton's photographic career began with experiments using a 35mm in his garden in Hunmanby, North Yorkshire, but it was a meeting and ensuing friendship with the landscape photographer Joe Cornish that inspired the move to photographing the countryside in larger formats.
This range was complemented by an increasing selection of high quality Minolta SR mount Rokkor lenses, within a few years ranging from 35mm to 600mm, and an RF 800mm f8 mirror lens in 1960, some of these even multicoated from the very start.
Nikon F80, a 35mm film SLR camera known as the N80 in the U.S.
Eventually, aspect ratios of 1.85:1 in North America and 1.66:1 in Europe became standard for 35mm productions shot with normal non-anamorphic lenses.
Lens Optical zoom 3.6 x, Focal length 5.0 - 18.2 mm (equiv. 35mm: 28 – 102 mm), LCD Resolution 230000 dots
The theatrette was initially fitted with 35mm arc projectors, but was later converted to 16mm, initially with two Australian made Harmour & Heath units then later with four Eiki projectors, two complete with CinemaScope anamorphic lenses projecting onto a 3.6 metre screen.
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His first films, none of which survive, were shot in 35mm, but he soon went to 16mm format becoming a dedicated fan of the Swiss made Paillard Bolex cameras.
The movie was shot on 35mm with the budget mostly coming from the Australian Film Development Corporation.
TCM, in association with the Library of Congress and the Brigham Young University Motion Picture Archive, had searched many film archives throughout the world to find copies of the films in order to create new 35mm prints.
Lo was first noticed for her stylistic 35mm feature film, Black & White: A Love Story, starring Jason Adams, which she wrote, directed and produced at the age of twenty-six.
Recent films shot with 2-perf 35mm "Techniscope" include I'm Yours (2012), Silver Linings Playbook (2012) and Argo (2012).
Code Red had been working on a DVD release of the film, but dropped the project when it was deemed that there was no 35mm print of the film available.
The film was made using a wide variety of equipment and shooting formats, including Super 8, 16mm, 35mm and a video synthesizer which had been donated to the project by Nam June Paik.
In 2006, a local contractor was demolishing a barn in Nelson, New Hampshire, when he came across a 35mm Monarch projector and seven reels of film.
In 1973, Yashica the company began a collaboration with Carl Zeiss it called Top Secret Project 130 to produce a new, professional 35mm SLR with an electronically controlled shutter bearing the Contax name, and called the RTS (for 'Real Time System').