AppleLink's server machines (not the GEIS mainframes) were named for various famous musical composers: Beethoven, Copland, Lennon, etc.
A "Cliffwood Beach" directional sign is seen briefly in the 1939 documentary The City (with music by Aaron Copland).
The London period was filled with rich musical experiences, including the radio interviews that he conducted with the composers Aaron Copland, Iain Hamilton, Humphrey Searle, John Joubert and others.
The final piece KDFC played on 102.1 was "Fanfare for the Common Man" by Aaron Copland, while the first song in the simulcast was "Roll Over Beethoven" by Electric Light Orchestra.
Gershwin's Porgy and Bess remains the most requested xylophone excerpt at auditions, with Copland's Appalachian Spring, Kodály's Háry János Suite, and Kabalevsky's Colas Breugnon being other common choices, although the list is practically endless.
Quiet City (music), a 1941 composition by Aaron Copland extracted from his incidental music written for the Shaw play
Jazz was a source of inspiration for Aaron Copland's Piano Concerto in G (1929–31), Stravinsky's Ebony Concerto for clarinet and jazz band (1945).
At the beginning of each level a synthesized excerpt from Aaron Copland's Fanfare for the Common Man is heard.
In his film score for "Of Mice and Men" (1939) and consequently in his collection "Music for the Movies" (1942), American composer Aaron Copland titled a section of the score "Threshing Machines," to suit a scene in the Lewis Milestone film where Curley is threatening Slim over giving May a puppy, when many of the itinerant worker men are standing around or working on threshers.
The station began broadcasting on April 20, 1981, with the first song played on the station at 6 a.m. being Aaron Copland's Fanfare for the Common Man.
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De Mille began her association with the fledgling American Ballet Theatre (then called the Ballet Theatre) in 1939, but her first significant work, Rodeo (1942) with the score by Aaron Copland, was staged for the Ballet Russe de Monte Carlo.
He has received many awards in music, including the Rome Prize Fellowship, the Aaron Copland Award, the Sylvia Goldstein Award, a Charles Ives Scholarship, residencies at the MacDowell Colony, and grants from the National Endowment for the Arts.
Founded in 1937 by Aaron Copland, Milton Adolphus and others, it is the oldest national organization of its kind, and represents over 200 member composers.
She explored both in many works, including a series of portraits of accomplished people: Albert Einstein, Helen Keller, Jean Sibelius, Louis Armstrong, and Aaron Copland.
Other composers simply never used opus numbers at all (examples include Copland, Vaughan Williams and many other 20th-century composers).
A portion of the traditional American religious song Simple Gifts (specifically, in the early years of the series, as adapted by American classical composer Aaron Copland for his ballet Appalachian Spring) is used as the CBS Reports theme music.
Smith has a reputation for playing new works and has notably made numerous premiere recordings of works by composers like Copland, Foote, Gaubert, Ginastera, Koechlin, Dahl, Harbison, Cage, Pinkham, Erwin Schulhoff, Schuller, Schoenberg, Ned Rorem, and Reinecke.
After early studies with Stanley Hollingsworth, Harold Boatrite was awarded a fellowship to the Tanglewood Music Center where he studied composition with Lukas Foss and took part in the orchestration seminars of Aaron Copland.
Notable among Yates' contributions to the lot are the Mabel Normand sound stage, built during the war and later home to The Mary Tyler Moore Show, and an award-winning music scoring auditorium that has hosted such famous names as Aaron Copland and Artur Rubinstein.
This was followed by acquiring the world's leading classical music publishing company Boosey & Hawkes (which includes the catalogues of Igor Stravinsky, Benjamin Britten, and Aaron Copland), and Rodgers & Hammerstein, containing the rights to stage and film musicals, and representing hundreds of works by writers including Irving Berlin.
In 1932 he was a member of the Young Composers' Group, which was founded by the composer Elie Siegmeister and which met regularly at the home of the composer Aaron Copland.
Walrath has received composition grants from the National Endowment for the Arts, the Aaron Copland Composition Grant and the Mary Flagler Cary Trust, and performance grants from the NEA and Quad City Arts.
She studied in the 1930s and early 1940s with such composers as Béla Bartók, Aaron Copland, and Arnold Schoenberg.
It has performed with other noted musicians such as Aaron Copland, Yo-Yo Ma, and Maurizio Pollini and also (in its earlier days) with the famous scientist Albert Einstein.
These notes are the same as the first three notes of Aaron Copland's "Fanfare for the Common Man", one of the musical themes for Expo 67, though this is apparently just a coincidence.
Over the years the island's solitude and natural beauty served as the setting for such luminaries as: composers Aaron Copland, Samuel Barber; writers Ralph Ellison, Annie Dillard, Olive Ann Burns, and Margaret Atwood ; sculptor Harry Bertoia; and scientist Eugene Odum among many others.
He has taught at the Aaron Copland School of Music, Rutgers University, Manhattan School of Music, New York University, Lehman College, and Baruch College, and has been the composer in residence at Wolf Trap Farm Park, Portland State University, and the White Plains High School.
The group's repertoire is made up of classical and commercial music transcriptions, including selections from composers Aaron Copland, Samuel Barber and George Gershwin to popular songs from jazz legend Dave Brubeck, the rock band Queen and the Broadway smash hit, West Side Story.
As Dean, he presided over a faculty that included Aaron Copland, Leonard Bernstein, and many others.
Graettinger's radical polystylistic soundworld, with its polyphonic density and bracing atonality, while drawing on ideas previously explored by the likes of Charles Ives, Igor Stravinsky, Aaron Copland and even Arnold Schoenberg, still remains truly distinctive.
The book contained essays on Dylan's relationship to Aaron Copland, Allen Ginsberg and the Beat generation, and the recording of Blonde on Blonde.