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Albert Ayler In Greenwich Village is a 1967 (see 1967 in music) live album by free jazz saxophonist Albert Ayler.
The band's approach centred around the "time, no changes" approach of Miles Davis and John Coltrane applied to slow, funky grooves with voodoo lyrics inspired by Dr John alternating with blaring big-band horn riffs and improvised free-jazz solos reminiscent of Ornette Coleman and Albert Ayler.
Graves has worked as a sideman and session musician with a variety of established jazz musicians throughout his career, including Don Pullen, Eddie Gomez, Andrew Cyrille, Rashied Ali, Kenny Clarke, Don Moye, Philly Joe Jones, John Zorn and Albert Ayler.
New York Eye and Ear Control is an album of group improvisations recorded by an augmented version of Albert Ayler's group to provide the soundtrack for Michael Snow's film of the same name.
Shandar was a French record label specializing in avant-garde material that did seminal work during the 1970 releasing, among others, recordings by Albert Ayler, Karlheinz Stockhausen, Steve Reich, Sunny Murray, Philip Glass, Richard Horowitz, Charlemagne Palestine, La Monte Young, Alan Silva, Pandit Pran Nath, Terry Riley, Cecil Taylor and Sun Ra.
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Consequently, much of the label's catalog consists of recordings of Maeght-sponsored concerts, as in the cases of Cecil Taylor's and Albert Ayler's Nuits de la Fondation Maeght.