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7 unusual facts about Alberto Ginastera


Carlo Cossutta

He first drew international attention in 1964 when he sang the title role in the world premiere of Alberto Ginastera's Don Rodrigo, which led to a series of appearances at the Royal Opera, London during the 1960s.

It marked the beginning of his reigning years at the Teatro Colón where he portrayed four roles in 1964: the title role in the world premiere of Alberto Ginastera's Don Rodrigo, Gabriele Adorno in Verdi's Simon Boccanegra, Kalaf in Ferruccio Busoni's Turandot, and the title role in "Oedipus Rex" ((Stravinsky)).

Grisélidis Réal

On March 9, 2009 she was exhumed and reburied in the Cemetery of the Kings, the prestigious Geneva cemetery where Ernest Ansermet, John Calvin, Jorge Luis Borges, Alberto Ginastera, Frank Martin, Jean Piaget and Alice Rivaz are buried.

Miami String Quartet

The Miami String Quartet's first recording, which featured the first two string quartets by Alberto Ginastera, was released in 1994.

Piazzolla's Orquesta Típica

During this period he began to study classical orchestration with Alberto Ginastera, the eminent Argentine composer, and took piano lessons with the Argentine classical pianist Raúl Spivak.

Pier Francesco Orsini

Alberto Ginastera's 1967 opera Bomarzo is based on the life of Orsini, as told in the book of the same name by Argentinian writer Manuel Mujica Láinez.

Welcome Back My Friends to the Show That Never Ends... Ladies and Gentlemen

#"Toccata" An adaptation of Ginastera's 1st piano Concerto, 4th movement (Alberto Ginastera, arr. Emerson) – 7:21


Ernst Roth

He translated operas and choral works to German, including compositions by Henry Barraud, Benjamin Britten, Alberto Ginastera, Zoltán Kodály, Bohuslav Martinů, Igor Strawinsky, Alexander Tcherepnin and William Walton.

Fenwick Smith

Smith has a reputation for playing new works and has notably made numerous premiere recordings of works by composers like Copland, Foote, Gaubert, Ginastera, Koechlin, Dahl, Harbison, Cage, Pinkham, Erwin Schulhoff, Schuller, Schoenberg, Ned Rorem, and Reinecke.

Gisele Ben-Dor

Alberto Ginastera, Excerpts from the opera "Don Rodrigo" (world premiere), Cantata “Milena”, Five Popular Argentine Songs (orchestral version of Cinco Canciones Populares Argentinas, op.10, by Shimon Cohen, world premiere), Santa Barbara Symphony, with Plácido Domingo, Virginia Tola and Ana Maria Martinez (EMI, Paris)

Lamentations of Jeremiah the Prophet

Contemporary settings include those by Igor Stravinsky (his Threni), Edward Bairstow, Alberto Ginastera, Ernst Krenek, Leonard Bernstein (his Jeremiah Symphony, which contains Hebrew text in the final movement), Ivan Moody and Peter-Anthony Togni.

Orin O'Brien

Before joining the New York Philharmonic, O'Brien performed with the New York City Ballet, the Metropolitan Opera, and the American Symphony Orchestra (under Leopold Stokowski, under whom she played the double bass solo as principal bass in the U.S. premiere of Alberto Ginastera's Variaciones Concertantes, in 1962.


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