The asteroid is named after the Russian filmmaker Andrei Tarkovsky (1932—1986).
His most recent book is Zona, about Andrei Tarkovsky’s 1979 film Stalker (published in the UK and the US in Spring 2012).
Novaro has said that the work of Andrei Tarkovsky, Michelangelo Antonioni, and Theodoros Angelopoulos inspired her narrative style particularly the way she sees her film story as poetry and not dramaturgy.
From 1976-81 Michael Meert studied at the German Film and Television Academy Berlin (dffb), where he met Andrei Tarkovsky, Joris Ivens and Johan van der Keuken.
Andrei Sakharov | Andrei Tarkovsky | Andrei Codrescu | Russian battleship Andrei Pervozvanny | Andrei Voznesensky | ''Andrei Pervozvanny'' | Andrei Kirilenko | Andrei Eshpai | Andrei Olhovskiy | Andrei Arlovski | Andrei Zhdanov | Andrei Suslin | Andrei Shleifer | Andrei Sergeevich Knyazev | Andrei Rublev | Andrei Konchalovsky | Andrei Kirilenko (basketball) | Andrei Gromyko | Andrei Voronkov | Andrei Volokitin | Andrei Rybakou | Andrei Rublev (film) | Andrei Nekrasov | Andrei Chikatilo | Andrei Cherny | Andrei Bely | Andrei Alexandrescu | ''Tsar's entry awaited'' by Andrei Ryabushkin | Ștefan Andrei | Prince Andrei Alexandrovich of Russia |
Inspired by the film directors Robert Bresson, Luis Buñuel and Andrei Tarkovsky, he studied filmmaking in Paris and New York City before directing his first short film La conduite de la Raison (The guidance of Reason) which was presented at the Cannes Film Festival’s Directors Fortnight 2011.
Bagno Vignoni is also the location where parts of Andrei Tarkovsky's 1983 film Nostalghia were shot.
Later, he played Pyotr Ilyich Tchaikovsky in Tchaikovsky (1969), Uncle Vanya in Andrei Konchalovsky's screen version of Chekhov's play (1970), the Narrator in Andrei Tarkovsky's The Mirror (1975), an old man in Anatoly Efros's On Thursday and Never Again (1977), and Salieri in Mikhail Schweitzer's Little Tragedies (1979) based on Alexander Pushkin's plays.
The Russian director Andrei Tarkovsky's film Offret ("The Sacrifice" – Sweden, 1986) features some kulning.
Andrei Tarkovsky's 1983 film Nostalghia is "a commentary on exile as told through Berezovsky's life".
Eventually Oleg Borisov ascended to fame in the Soviet and Russin cinema, as he continued his film career in collaboration with such directors as Eldar Ryazanov, Andrei Tarkovsky, Aleksandr Muratov, Aleksei German, Viktor Tregubovich, Vladimir Bortko, Aleksandr Gordon, Vladimir Vengerov, and Vadim Abdrashitov, among other film directors.
The 20 minute film—inspired by Andrei Tarkovsky and Terrence Malick—is about a city girl (Magda Apanowicz) who while briefly left alone on a camping trip, meets a city boy, sparking a mutual interest.
Largely inspired by filmmakers such as Andrei Tarkovsky, Stanley Kubrick, Federico Fellini, Robert Bresson and Michelangelo Antonioni, Ristovski developed a passion for filmmaking while living in Macedonia.
Trần is strongly influenced by French cinema and from some European and Japanese filmmakers, namely Bergman, Bresson, Kurosawa, Tarkovsky and Ozu.
Outside his native country he is best known as a composer of music for such films as War and Peace, the 1966–67 film directed by Sergei Bondarchuk, Ivan's Childhood and Andrei Rublev for Andrei Tarkovsky.
The fresco also plays an important role in Richard Hayer's novel Visus, in Andrei Tarkovsky's film Nostalghia, and in the poem "San Sepolcro" by Jorie Graham.