In 1470 he made the monument for the Duchess of Amalfi, Mary of Aragon, in the Church of Monte Oliveto, Naples; the relief of the Nativity over the altar in the same place is also probably his.
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The name "Master of the Marble Madonnas" was coined by Wilhelm von Bode in 1886, who noted several points of similarity linking these sculptures to the production of well-known Florentine masters such as Mino da Fiesole, Antonio Rossellino, Desiderio da Settignano, and Benedetto da Maiano but which are generally inferior in quality and execution.
Mino's work was influenced by his master Desiderio da Settignano and by Antonio Rossellino, and is characterized by its sharp, angular treatment of drapery.