There are about 20 catalogues purporting to list Rembrandt’s complete etchings; each one building on the other, in some cases adding etchings, in others removing etchings and in others adding different states of the etchings.
Among his published works were Catalogue raisonné de la flore des Pyrénées-Orientales (Catalogue raisonné on the flora of Pyrénées-Orientales, 1898) and Catalogue de la flore des Corbières (Catalog on the flora of the Corbières, being published posthumously in 1912).
The editorial Electa Mondadori prepared a two tomes Catalogue raisonné that include all the sculptural work from 1971 to 2013.
Köchel catalogue | Third Cambridge Catalogue of Radio Sources | New General Catalogue | A Catalogue of Crime | Principal Galaxies Catalogue | Liberian Catalogue | Catalogue raisonné | Catalogue of Women | Bright Star Catalogue | The Catalogue | Scott catalogue | RBS (astronomical catalogue) | Exhibition catalogue | Catalogue d'oiseaux | Aitken Double Star Catalogue |
In the late 60s and early 70s, Bischofberger organized Pop-Art exhibitions, but also showed artists of the Nouveau Réalisme style such as Yves Klein and Jean Tinguely (later Bischofberger publishes Tinguely's Catalogue Raisonné).
In addition, he was a collaborator towards Narcisse Théophile Patouillard's publication of Catalogue raisonné des plantes cellulaires de la Tunisie.
Examples of these are two canvases by the French/Italian master Michele DeSubleay or his Italian name Michele Desubleo, both now illustrated in color in the catalogue raisonné of his work, one of which was already recorded as lost, mentioned in his testament (cf Thieme Becker and Milantoni).
The BBC programme Fake or Fortune? criticized Guy Wildenstein in June 2011, after the Wildenstein Institute controversially refused to allow the painting Bords de la Seine à Argenteuil into the catalogue raisonné, despite the programme submitting conclusive documentary evidence to prove its authenticity.
In the United States, the National Gallery of Art in Washington, DC, has a comprehensive Gemini G.E.L. collection and has also produced an online catalogue raisonné.
A Model Scenario of the Flying Classroom (Catalogue Raisonné no. 30) made for the German Pavilion at the 1995 Venice Biennale borrows its subject and title from a children’s book by Erich Kästner entitled The Flying Classroom.
His early sculptures like Red Upholstered Chair and Table with Jell-O (both 1983) (Catalogue Raisonné nos. 4 & 5) are highly realistic handmade sculptures based on drawings Honert made of his time spent in boarding school in Westphalia.
His research and publications have focused on seventeenth-century European art, ranging from a two-volume catalogue raisonné on Domenichino (1581–1641) to studies based on iconographic, psychoanalytic, feminist, and economic methodologies.