Although Mozart would always remain at the core of her repertoire (Susanna, Zerlina), she gradually included roles such as Rosina, Annchen, Véronique, as well as many roles in opera by Monteverdi, Rameau, and Haydn.
Markovics remains a frequent stage actor, and in April 2010 played the non-singing role of Samiel in Counterfeiters-director Ruzowitzky's first opera production, Der Freischütz at Vienna's Theater an der Wien.
Traditional performances, in addition to the Karl May pieces, include Freischütz, Hänsel and Gretel and Carmina Burana.
Romantic artists were inspired by the beauty of wilderness, like the painter Ludwig Richter or the composer Carl Maria von Weber, who set his famous opera Der Freischütz with its Wolfsschlucht ("Wolf's Gorge") scene set near the town of Rathen.
In 2010, Ruzowitzky directed his first opera production, Der Freischütz, for Vienna's Theater an der Wien.
Topelius initially thought of writing a trivial entertainment, but having heard extracts from the opera project at a concert in 1851, he realized that Pacius was writing a grand opera on the theme of salvation, following the early Romantic style of Carl Maria von Weber's Der Freischütz (1821) and Oberon (1826).
Der Spiegel | Der Rosenkavalier | Der Ring des Nibelungen | Rotenburg an der Fulda | Spittal an der Drau | Limburg an der Lahn | Weiden in der Oberpfalz | Dillingen an der Donau | Van der Graaf Generator | Kirchdorf an der Krems | Der Freischütz | Befehlshaber der U-Boote | Serena van der Woodsen | Rothenburg ob der Tauber | Oberkommando der Wehrmacht | Neustadt an der Orla | Neukirch an der Thur | Der Vampyr | Realencyclopädie der Classischen Altertumswissenschaft | Neuberg an der Mürz | Ludwig Mies van der Rohe | Brandenburg an der Havel | Bad Homburg vor der Höhe | Theater an der Wien | Schönenberg an der Thur | Rogier van der Weyden | Neustadt an der Weinstraße | Neumarkt in der Oberpfalz | Neuburg an der Donau | Melissa Auf der Maur |
The subsequent tour of the eastern and midwestern states included a repertoire that ranged from The Bohemian Girl and Maritana to Weber's Der Freischütz and Oberon.
Other roles she sang in Berlin included Leonore in Fidelio, Agathe in Der Freischütz, Sieglinde in Die Walküre, Valentine in Les Huguenots and several Mozart heroines, including Pamina, Donna Anna and Countess Almaviva.
Under his management the Lyceum Theatre, London became the English Opera House, and staged the first English productions of many operas, including in 1824 Carl Maria von Weber's Der Freischütz.