The Cárcamo de Dolores (Sump of Dolores) is a hydraulic structure located on the Second Section of Chapultepec Park, in Mexico City, comprising the building designed by architect Ricardo Rivas, inside the originally underwater mural Agua, el origen de la vida (Water, source of life) of Mexican muralist Diego Rivera, the art installation Cámara Lambdoma by Ariel Guzik, and in outside, the Tlaloc Fountain, also of Rivera.
The Detroit Industry Murals are a series of frescoes by the Mexican artist Diego Rivera, consisting of twenty-seven panels depicting industry at the Ford Motor Company.
Frida: A Biography of Frida Kahlo (Harper & Row, 1983, ISBN 0-06-011843-1) is a book by Hayden Herrera about the life of Mexican artist Frida Kahlo, her art, and her relationship with muralist Diego Rivera.
He is primarily known for his biographies, where he has covered subjects as diverse as Diego Rivera, Georges Simenon, Jean Moulin and Mary Wesley.
As a locomotive approaches the end of the first section of the wall the landscape ends in trees that wrap around the corner of the reveal wall and the narrative picks up with a nod to Mexican muralists shown as a Diego Rivera influenced trompe l'oeil relief of laborers supporting a bowl containing the fruits of labor.
His style varies: some works show affinity with the delicate expressiveness of John Marin and Cézanne, while others lean towards the brusquer social realism of Diego Rivera or Robert Henri.
Considered the most elegant and functional of 19th-century Cuban theatres, it has become a symbol of the city, so much so that the great Mexican muralist Diego Rivera once said, "I recognize Matanzas by the Sauto."
He won a city-wide art contest in the third grade for his portrait of Mexican painter Diego Rivera.
The Game of Contemporaneity was originally inspired on Diego Rivera’s mural 'Dream on a Sunday Afternoon in the Central Alameda'.
During his time in Mexico he works as a plaster mixer for the mural artist Diego Rivera then as a cook for both him and his artist wife Frida Kahlo, with whom Shepherd develops a lifelong friendship.
It has often been used in paintings, and is visible in many of Diego Rivera's works of art (see The Flower Vendor, amongst others).
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Albert M. Bender (1866–1941) was a leading patron of the arts in San Francisco in the 1920s and 1930s, who played a key role in the early career of Ansel Adams and was one of Diego Rivera's first American patrons.
His work, influenced by Otto Dix, Max Beckmann, Diego Rivera, Goya, and José Clemente Orozco, have sold to private and public collectors such as University College Cork and Cork Institute of Technology.
In 1937 Widick traveled to Mexico and met with the exiled Russian revolutionary Leon Trotsky to discuss the American labor upsurge, and there he met Diego Rivera and Frida Kahlo.
Casa Na Bolom evolved into a small hotel, attracting guests as notable as Henry Kissinger and Diego Rivera.
The Making of a Fresco Showing the Building of a City (1931) is one of four murals in the Bay Area painted by Mexican artist Diego Rivera (1886–1957).
Eventually, Casa Na Bolom evolved into an inn attracting visitors from all over the world, including archeologists from major American universities and guests as notable as Diego Rivera, François Mitterrand, Helen Hayes, and Henry Kissinger.
Kröller-Müller also collected works by modern artists, such as Picasso, Georges Braque, Jean Metzinger, Albert Gleizes, Fernand Léger, Diego Rivera, Juan Gris, Piet Mondrian, Gino Severini, Joseph Csaky, Auguste Herbin, Georges Valmier, María Blanchard, Léopold Survage and Tobeen.
While working as a mural artist under Diego Rivera in Mexico City in 1926, Bunin created political puppet shows using marionettes including a production of Eugene O'Neill's The Hairy Ape.
She also worked as a model for artist Diego Rivera and her portrait can be seen in at least three of his murals, one of them the famous Tlatelolco market scene.
She was one of the few female artists commissioned under the New Deal's Federal Art Project, a program launched during the Great Depression that also employed the likes of Jackson Pollock, Willem de Kooning, Diego Rivera, among other painters who would go on to become famous.
Above the station's platforms are murals depicting paintings and art from ancient pre-Hispanic cultures, works by famous artists such as Leonardo da Vinci, and Mexican art from José Guadalupe Posada, Diego Rivera and others.
The museum also hosts a permanent collection of art from Gelsen Gas, Frida Kahlo, Olga Costa, Diego Rivera, David Alfaro Siqueiros, José Clemente Orozco, Manuel Álvarez Bravo, Leonora Carrington, Rufino Tamayo, Juan Soriano, and Vicente Rojo.
He was one of the pioneers of the Mexican muralism movement, especially frescos, recruited by Vasconcelos along with other muralists such as Diego Rivera, David Alfaro Siqueiros, José Clemente Orozco, Jean Charlot, Fernando Leal, Fermín Revueltas, Emilio García Cahero, Xavier Guerrero and Carlos Mérida .
Davis was among the first to collect, display and sell the work of the emerging Mexican artists such as Diego Rivera, José Clemente Orozco, and Rufino Tamayo; others who frequented the shop included Miguel Covarrubias and Jean Charlot.
Rina Lazo, full name Rina Lazo Wasem, (b. October 23, 1923) is a Guatemalan/Mexican painter, who began her career in mural painting with Diego Rivera as his assistant.
Since then, signing the beam has become a ceremonial honor, and the autographs of art world luminaries such as John Sloan, Diego Rivera, Pablo Davis, Marcel Duchamp, Norman Rockwell, and John Sinclair grace the beams.
When the artist Diego Rivera was looking for a sponsor to allow him to travel to Europe to further his art career, he approached Governor Dehesa who agreed to sponsor him.