Immediately after the world premiere at Monte Carlo, the opera was staged in Brussels, Marseille and Paris (all in 1910).
By the early years of the twentieth century, the Salle Garnier was to see such great performers as Nellie Melba and Enrico Caruso in La bohème and Rigoletto (in 1902), and Feodor Chaliapin in the premiere of Jules Massenet's Don Quichotte (1910).
Don Quixote | Don Giovanni | Don Cherry | Don | Don (honorific) | Don Cheadle | Rostov-on-Don | Don Williams | Don Juan | Don Knotts | Don Imus | Don Carlos | Don Rickles | Don Omar | Don Henley | Salesians of Don Bosco | Don Johnson | Don Drysdale | Don Pasquale | Don Messick | Don Bluth | Don King (boxing promoter) | Don King | Don Shula | Don LaFontaine | Don Cherry (jazz) | Don Burrows | Don't Look Now | Don Siegel | Don McLean |
He was a contributor to Opera on Record Vol 1 (Carmen), Vol 2 (Thais and Don Quichotte) and Vol 3 (The stage works of Weill).
As a member of the company at the Théâtre Lyrique under Pasdeloup and Vizentini she sang various roles at that theatre, creating Mab in Bizet's La jolie fille de Perth, as well as Nérine in L'irato by Méhul (November 1868), Formosa in En Prison by Guiraud (March 1869), and Thérèse in Don Quichotte by Boulanger (May 1869).
The song contains samples of "Don Quichotte" by Magazine 60 and "Take Me to the Mardi Gras" by Bob James; Magazine 60 group members Jean-Luc Drion and Dominique Régiacorte are credited as co-writers on "I Got It from My Mama".