He began to concentrate on landscapes, especially in Italy where his travels took him to Rome and especially on several occasions to Civita d'Antino from 1900 to 1904.
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However, his journeys to Italy from 1890 soon inspired him to take an interest in Italian Renaissance art, prompting him to copy works by Masaccio and Lorenzo di Credi.
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After an early encounter with the French Symbolists, he took an interest in the Italian Renaissance period before turning to the more relaxed style of Naturalism in Skagen and Civita d'Antino.
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