The Southern boundary of the Galatea Plains is the Whirinaki River which descends from The Ureweras and joins the Rangitaiki River below the township of Murupara.
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He was transported as a prisoner to the Chatham Islands when he soon became the leader of the prisoners.
Other examples include The Bohemian G-yurl and the Unapproachable Pole (1877), Blue Beard (1882), Ariel (1883, by F. C. Burnand), Little Jack Sheppard (1885), Monte Cristo Jr (1886), Pretty Esmeralda (1887), Frankenstein, or The Vampire's Victim (1887), Faust up to Date (1888), Ruy Blas and the Blasé Roué (1888), Carmen up to Data (1890), and Cinder Ellen up too Late (1891).
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Galatea, or Pygmalion Re-Versed is a musical burlesque that parodies the Pygmalion legend, and specifically W. S. Gilbert's 1871 play Pygmalion and Galatea.
Acis and Galatea | Acis and Galatea (Handel) | HMS Galatea | Galatea (mythology) | Galatea | H.M.S. ''Galatea'' | Galatea (Raphael) |
Numerous clones of Long Shadow and the Ultimen appear in "Panic in the Sky" when Galatea and the Ultimen army attack the Watchtower.
Several marble chimney pieces were installed, as well as an intricately carved marble bas-relief of Neptune and Galatea.
Other examples include The Bohemian G-yurl and the Unapproachable Pole (1877), Blue Beard (1882), Ariel (1883, by F. C. Burnand), Galatea, or Pygmalion Reversed (1883), Little Jack Sheppard (1885), Monte Cristo Jr (1886), Miss Esmeralda (1887), Mazeppa, Faust up to Date (1888), Ruy Blas and the Blasé Roué (1888), Carmen up to Data (1890), and Don Juan (1892, with lyrics by Adrian Ross).
Rugby Union in India dates back to a scratch match or two played in Kolkata and Madras during the visit of MS Galatea in 1871.
In Polish–Lithuanian Commonwealth a tradition of operatic production began in Warsaw in 1628, with a performance of Galatea (composer uncertain), the first Italian opera produced outside Italy.
While she was studying she made her professional debut as the lead in the Stavros ’Sideras’ musical Pygmalion, The True Story (Aphrodite/Galatea) opposite Peter Polycarpou.
In 1869 he joined the H.M.S. Galatea as an artist with the Duke of Edinburgh, on the voyage to the East and back to London with stops in Tahiti, Hawaii, Japan, China, Ceylon (Sri Lanka) and India.
The titles of Nicochares' plays, as enumerated by Suidas, are, Αμυμωνη (Amymone), Πελοψ (Pelops), Γαλατεια (Galatea), Ηρακληs Γαμων (Hercules Getting Married), Ηρακληs Χορηγος (Hercules the Play-Producer), Κρητες (Cretans), Λακωνες (The Laconians), Λημνιαι (Lemnian Women), Κενταυροι (Centaurs), and Χειρογαστορες (Those Living Hand-to-Mouth).