The constraints posed by a narrow space and the impossibility of opening windows at the centre of the piano nobile (because of an existing fireplace and its flue) induced Palladio to emphasise the façade’s central axis, by realising a structure with a ground floor arch flanked by engaged columns, and on the upper storey a tabernacle frame for a fresco by Giovanni Antonio Fasolo.
Palladio supplied the last drawings for the moulding templates in March 1572 and by the end of that year the building would have been roofed, since Giannantonio Fasolo could paint the lacunars of the audience hall while Lorenzo Rubini could execute the stuccoes and statues.
San Antonio | Don Giovanni | Antonio Vivaldi | Antonio Banderas | Giovanni Pierluigi da Palestrina | Giovanni Bellini | San Antonio Spurs | Giovanni Riggi | Giovanni Boccaccio | Gatpuno Antonio J. Villegas Cultural Awards | Antonio Villaraigosa | Antonio Margarito | Antonio López de Santa Anna | Port Antonio | Giovanni Battista Pergolesi | Antonio Canova | Giovanni Battista Tiepolo | Giovanni Battista Guarini | Giovanni | Antonio Inoki | Antonio Gramsci | Giovanni Trapattoni | Giovanni "John the Eagle" Riggi | Giovanni Gabrieli | António de Oliveira Salazar | Antonio Rotolo | Antonio Meucci | Antonio Esfandiari | Marco Antonio Muñiz | Giovanni Falcone |