Some of his music also uses polychoral techniques, which were common in Italy around 1600, though Lobo never used more than two choirs (contemporary choral music of the Venetian school often used many more — the Gabrielis often wrote for as many choirs as there were choir-lofts at St Mark's Basilica).
Mr. Jacobs, along with colleagues from the CSO were part of the famous 1968 recording of Gabrieli’s music with members of the Philadelphia and Cleveland Orchestras.
Ottorino Respighi's Ancient Airs and Dances Suite and one of Giovanni Gabrieli's triple brass quintets were among his opening themes.
Don Giovanni | Giovanni Pierluigi da Palestrina | Giovanni Bellini | Giovanni Riggi | Giovanni Boccaccio | Giovanni Battista Pergolesi | Giovanni Battista Tiepolo | Giovanni Battista Guarini | Giovanni | Giovanni Trapattoni | Giovanni "John the Eagle" Riggi | Giovanni Gabrieli | Giovanni Falcone | Gabrieli | Villa San Giovanni | San Giovanni in Persiceto | Giovanni Verga | Giovanni van Bronckhorst | Giovanni Tamagno | Giovanni Pacini | Giovanni Battista Pescetti | Giovanni Papini | Giovanni Hidalgo | Giovanni Domenico Cassini | Giovanni de' Medici | Giovanni Bottesini | Giovanni Battista Riccioli | Giovanni Zenatello | Giovanni Visconti | Giovanni Schiaparelli |
The Los Angeles Electric 8 produces arrangements of older works for their ensemble including Johann Sebastian Bach, Felix Mendelssohn, Dmitri Shostakovich, Giovanni Domenico Rognoni Taeggio, Giovanni Gabrieli, Olivier Messiaen, Igor Stravinsky and Benjamin Franklin.
For example, see: Canzon in echo duodecimi toni à 10 by Giovanni Gabrieli and Ist nicht Ephraim mein teurer Sohn SWV 40 (from the great Psalmen Davids of 1619) by Heinrich Schütz, both of these works feature low cornetto lines written in the C tenor clef.
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Roland Wilson and his group Musica Fiata employ tenor cornetts in their recordings of the Psalmen Davids of Heinrich Schütz and the Music for San Rocco recording of music by Giovanni Gabrieli and his contemporaries.
Denis Arnold, Giovanni Gabrieli and the Music of the Venetian High Renaissance. London, Oxford University Press, 1979.