The Grapevine (1960) evokes Tiepolo's sunlight, The Quince Tree (1962) Chardin's dusky murk, and other paintings echo Old Masters from Dürer to Degas.
Later he started on his own original works, first as a romantic landscape artist in scenes of the Alföld (the Hungarian lowland plain), and then as a creator of monumental murals and frescos in the style of the Venetian master Tiepolo.
Dressed in street clothes, his models were asked to assume poses from the paintings of Renaissance masters, such as Tiziano Vecellio and Giovanni Battista Tiepolo.
The church has a monumental baroque facade with Corinthian and Doric columns and displays a collection of painting and sculpture worthy of its size, including works by Piazzetta, Tiepolo, Balestra, Meštrović, and numerous other artists.
Next day the conference visits the Bragadin Palace to view a ceiling painted by Tiepolo.
The paintings of the Mount of Olives and the Way of the Cross displayed inside are by Leopold Layer (1752–1828), based on models by Giovanni Battista Tiepolo.
Don Giovanni | Giovanni Pierluigi da Palestrina | Giovanni Bellini | Giovanni Riggi | Giovanni Boccaccio | Giovanni Battista Pergolesi | Giovanni Battista Tiepolo | Giovanni Battista Guarini | Giovanni | Giovanni Trapattoni | Giovanni "John the Eagle" Riggi | Giovanni Gabrieli | Tiepolo | Leon Battista Alberti | Giovanni Falcone | Villa San Giovanni | San Giovanni in Persiceto | Giovanni Verga | Giovanni van Bronckhorst | Giovanni Tamagno | Giovanni Pacini | Giovanni Battista Pescetti | Giovanni Papini | Giovanni Hidalgo | Giovanni Domenico Cassini | Giovanni de' Medici | Giovanni Bottesini | Giovanni Battista Riccioli | Lorenzo Baldissera Tiepolo | Giovanni Zenatello |
By the late eighteenth century, with brilliant exceptions like Piranesi and Tiepolo, most etchings were reproductive or illustrative.
Tiepolo and the Pictorial Intelligence, New Haven and London: Yale University Press, 1994 (with Michael Baxandall)