Don Giovanni | Giovanni Pierluigi da Palestrina | Giovanni Bellini | Giovanni Riggi | Giovanni Boccaccio | Giovanni Battista Pergolesi | Giovanni Battista Tiepolo | Giovanni Battista Guarini | Giovanni | Giovanni Trapattoni | Giovanni "John the Eagle" Riggi | Giovanni Gabrieli | Leon Battista Alberti | Giovanni Falcone | Villa San Giovanni | San Giovanni in Persiceto | Giovanni Verga | Giovanni van Bronckhorst | Giovanni Tamagno | Giovanni Pacini | Giovanni Battista Pescetti | Giovanni Papini | Giovanni Hidalgo | Giovanni Domenico Cassini | Giovanni de' Medici | Giovanni Bottesini | Giovanni Battista Riccioli | Giovanni Zenatello | Giovanni Visconti | Giovanni Schiaparelli |
The second part, the longest in the treatise, is told in the form of a dialogue between "Sultan Violin, an abortion and a pygmy," and Lady Viol, in which these allegorical characters debate the relative merits of the viol and the violin in the Jardin des Tuilieres prior to a Concert Spirituel in which the violinists Giovanni Battista Somis (1686–1763) and Francesco Geminiani (1687–1762) are to play in the Italian style at a highly publicized concert.