It was first recognized by Giovanni Morelli, and is now universally accepted, as being the same as the picture seen by Marcantonio Michiel and later by Ridolfi (his 17th century biographer) in the Casa Marcello at Venice.
He adapted the art-historical method initiated by Giovanni Morelli to attribute the specific "hands" (style) of specific workshops and artists, even where no signed piece offered a name, e.g. the Berlin Painter, whose production he first distinguished.
Don Giovanni | Giovanni Pierluigi da Palestrina | Giovanni Bellini | Giovanni Riggi | Giovanni Boccaccio | Giovanni Battista Pergolesi | Giovanni Battista Tiepolo | Giovanni Battista Guarini | Giovanni | Giovanni Trapattoni | Giovanni "John the Eagle" Riggi | Giovanni Gabrieli | Giovanni Falcone | Villa San Giovanni | San Giovanni in Persiceto | Giovanni Verga | Giovanni van Bronckhorst | Giovanni Tamagno | Giovanni Pacini | Giovanni Battista Pescetti | Giovanni Papini | Giovanni Hidalgo | Giovanni Domenico Cassini | Giovanni de' Medici | Giovanni Bottesini | Giovanni Battista Riccioli | Giovanni Zenatello | Giovanni Visconti | Giovanni Schiaparelli | Giovanni Pisano |
On this subject he was a disciple of his friend Giovanni Morelli, whose views he embodied in his revision of Franz Kugler's Handbook of Painting, Italian Schools (1887).