Canadian composer Barry Truax was one of the first to implement real-time versions of this synthesis technique.
Following that came More Than Idle Chatter, the six compositions of which focus on processings of the human voice using linear predictive coding, granular synthesis, and plucked string synthesis; its three highlights are granular synth pieces called "Idle Chatter," "Just more idle chatter," and "Notjustmoreidlechatter," which look at the same thing from multiple perspectives.
Chemical synthesis | synthesis | Cambridge Low Frequency Synthesis Telescope | Granular material | chemical synthesis | Williamson ether synthesis | wave field synthesis | Wöhler synthesis | Wave field synthesis | Synthesis Toolkit | Synthesis | Speech Synthesis Markup Language | Speech synthesis | Neon Synthesis | National Institute for Mathematical and Biological Synthesis | National Center for Ecological Analysis and Synthesis | Molonglo Observatory Synthesis Telescope | Modern evolutionary synthesis | modern evolutionary synthesis | Microwave Imaging Radiometer with Aperture Synthesis | Meyers synthesis | Hantzsch pyrrole synthesis | Hantzsch pyridine synthesis | Grundmann aldehyde synthesis | Granular synthesis | Gabriel synthesis | Frequency modulation synthesis | Festival Speech Synthesis System | Distortion synthesis | distortion synthesis |
In these years, Manuel Rocha Iturbide worked with Curtis Roads and Barry Truax, two of the most important pioneers on granular synthesis computer music techniques.