It presents him installing his show at the Haus der Kunst in Munich in September 2009 and his 100 million-ceramic porcelain piece at the Tate Modern a year later.
The building was constructed from 1933 to 1937 following plans of architect Paul Ludwig Troost as the Third Reich's first monumental structure of Nazi architecture and as Nazi propaganda.
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The 1939 Tag der Deutschen Kunst was documented by a group of hobby cinematographers on 16 mm Kodachrome color movie, the resulting 30-minute film is still pristine today due to Kodachrome's unusual archival properties, and is available in a variety of editions on VHS and DVD, such as Farben 1939 - Tag der Deutschen Kunst in München.
Linprun set up the first astronomical observatory for the Academy on his own initiative in a tower-like building on a bastion on the outskirts of Munich (today on Prinzregentenstraße opposite the Haus der Kunst).
Der Spiegel | Der Rosenkavalier | Der Ring des Nibelungen | Rotenburg an der Fulda | Spittal an der Drau | Limburg an der Lahn | Weiden in der Oberpfalz | Dillingen an der Donau | Van der Graaf Generator | Kirchdorf an der Krems | Der Freischütz | Befehlshaber der U-Boote | Serena van der Woodsen | Rothenburg ob der Tauber | Oberkommando der Wehrmacht | Neustadt an der Orla | Neukirch an der Thur | Der Vampyr | Realencyclopädie der Classischen Altertumswissenschaft | Neuberg an der Mürz | Ludwig Mies van der Rohe | Brandenburg an der Havel | Bad Homburg vor der Höhe | Theater an der Wien | Texte zur Kunst | Schönenberg an der Thur | Rogier van der Weyden | Neustadt an der Weinstraße | Neumarkt in der Oberpfalz | Neuburg an der Donau |
Over the years he has also frequently worked and exhibited in Mexico and is currently represented by Ramon Quiroga in Mexico City, Galeria Vertice and Haus der Kunst in Guadalajara.
Over 50 of his paintings were displayed at the Great German art exhibition (Große Deutsche Kunstausstellung) at the Haus der Kunst in Munich, including battle scenes from the Second World War, particularly those from the conflicts with Poland and Russia.
His artwork Demag: Giesspfannen beim fullen der kokillen (Demag: foundry ladles during fill the mold) was exhibited at the House of German Art in Munich.
Mullican's work has been exhibited nationally and internationally since the early 1970s at venues including The Metropolitan Museum of Art, New York, Haus Der Kunst, Munich, Germany, the National Galerie, Berlin, Germany, the Stedelijk Museum, Schiedam, Netherlands, Museum of Contemporary Art, Los Angeles, CA, and The Museum of Modern Art, NY.