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He danced with the Ballet from 1995 on, and from 2000 to 2007 was the Ballet's principal dancer (working with choreographers such as Hans van Manen, Rudi van Dantzig, Jerome Robbins, Alexei Ratmansky, Christopher Wheeldon and Ted Brandsen), and has danced in almost a dozen George Balanchine ballets.
Further roles were in Ashton's ballets, Symphonic Variations and Daphnis and Chloe, Jerome Robbins's Dances at a Gathering and Afternoon of a Faun.
She rose to the rank of soloist, created roles in Todd Bolender's Souvenirs, William Dollar's Five Gifts and Jerome Robbins' Fanfare and appeared in the 1954 revival of On Your Toes, which Balanchine had choreographed.
Alongside the best local troupes, choreographers and soloists, Dubrovnik has been visited by Merce Cunningham, Jerome Robbins, Alvin Ailey, Glenn Tetley and Martha Graham and their companies, the Twentieth Century Ballet of Maurice Bejart, the American Ballet Theatre, the London Festival Ballet, the Harkness Ballet, the Antonio Gades troupe, the ballet of the Hungarian State Opera, and ballets from the cities of Parma, Antwerp and Adelaide.
Some recent Broadway productions that fall into the category of flop-hit are Woman of the Year, Jerome Robbins' Broadway, The Will Rogers Follies, and Sunset Boulevard, the latter of which ran more than two years on Broadway in the mid-90s without paying back any of its more than US$10 million outlay.
They were fixtures in New York's artistic community, being friends with literary and cultural figures such as Truman Capote, James Schuyler, George Balanchine, Jerome Robbins, among others.
During Ms. Watts's tenure with the company, she had numerous principal roles created for her by George Balanchine, Jerome Robbins, and Peter Martins among others.
The program featured ballets by five different choreographers: “Dance at the Gym” from Jerome Robbins’ West Side Story Suite, Peter Martins’ Barber Violin Concerto, Christopher Wheeldon’s Liturgy, Lynne Taylor-Corbett’s Chiaroscuro, and the Royal Navy section of George Balanchine’s Union Jack.
Along with Jerome Robbins, Francisco Moncion and Maria Tallchief, Magallanes was among the core group of dancers with which George Balanchine and Lincoln Kirstein formed the New York City Ballet (formerly Ballet Society) in 1948.
During Stowell's tenure, the company added the work of Sir Frederick Ashton, Jerome Robbins, William Forsythe, Lar Lubovitch, and Christopher Wheeldon to its repertoire.
Describing him in Jerome Robbins’ The Concert, she writes: “he was a henpecked husband who constantly escaped into daydreams of sexual conquest. Clad in a vest and long underwear and chewing on a huge cigar, he was the prototype of ... J. Walter Mitty.” Longtime New York City Ballet observer Robert Garis said of him in Agon, “his easy wit and charm in the first pas de trois seem unrecapturable” (ibid.)