Stylistically Münchinger's approach with his orchestra was rather similar to those of his somewhat younger contemporaries Raymond Leppard, Sir Neville Marriner, Claudio Scimone, and the above-mentioned Paillard, though displaying an extra element of tonal solidity (not to mention a fierce rigor during rehearsals as well as performances) which might be thought of as Teutonic.
Karl Marx | Karl Pilkington | Karl Lagerfeld | Karl G. Heider | Karl Rove | Karl Pearson | Karl May | Karl Liebknecht | Karl Friedrich Schinkel | Karl Dönitz | Karl Jenkins | Karl Stefanovic | Karl Bodmer | Karl Wilhelm Friedrich Schlegel | Karl Malone | Karl Wolf | Karl Valentin | Karl Popper | Karl Malden | Karl Kesel | Karl Barth | Karl Richard Lepsius | Karl Philipp von Wrede | Karl Kautsky | Karl Johans gate | Karl-Heinz Kämmerling | Karl | Karl Weierstrass | Karl Story | Karl Scheel |