These overly inclusive definitions, though problematic, serve the breadth of the long poem, and have fueled its adaptation as a voice for cultural identity among marginalized persons in Modern and Contemporary poetry.
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Gérard de Nerval, translator, Faust, translation into French from the original German of Johann Wolfgang von Goethe's long poem; the work earned Nerval his reputation; it was praised by Goethe, and Hector Berlioz later used sections for his legend-symphony La Damnation de Faust
Accepted instances include a brief take-off on Christina Rossetti's long poem "Goblin Market" (the complete text is of course included), a free-verse meditation dovetailing with the "Holy Sonnet XIV" by John Donne, and an English-language invention on Catullus' erotic poem "Number 51" (submitted in the original Latin), itself inspired by Sappho's Ancient Greek (Aeolic) fragment Sappho 31.
His only known work, signed and dated, le Tournoi de Chauvency, is a long poem of about 4,500 verses recounting the events of a tournament held during six days of feasting given by Louis V, Count of Chiny in October 1285 at Chauvency-le-Château.
In the 20th century, American-British poet T.S. Eliot (1888-1965) was inspired by the legacy of Little Gidding and incorporated historical elements and symbols into his long poem, "Little Gidding" from his collection Four Quartets (1945).
Métamec is the name of a posthumous album and a long poem by French singer-songwriter Léo Ferré.
Shcherbina studied at the Taganrog Boys Gymnasium (Chekhov Gymnasium), where he fell in love with Greek language lessons and wrote the long poem Sappho at the age of thirteen.
The Oxford English Dictionary (OED) quotes as the term's earliest usage the 1839 long poem "Festus" by English poet Philip J. Bailey: "I am an omnist, and believe in all religions".
Innocent XII appears as one of the narrators in Robert Browning's long poem "The Ring and the Book" (1869), based on the true story of the Pope's intervention in a historical murder trial in Rome during his papacy.
Afterwards, Hilario Ascasubi wrote "Santos Vega o los Mellizos de la Flor", a long poem in which the minstrel narrates the events.
He died in Somers Town, London, on 14 September 1831, leaving in manuscript a long poem entitled The Artist.