Recent scholarship indicates that in his work on perspective, Ghiberti was influenced by the Arab polymath Alhazen who had written about the optical basis of perspective in the early 11th century.
These doors were not finished until 1469; their reliance on a few figures placed in simple, orderly compositions against a flat ground, contrasts sharply with the elaborate pictorial effects of Lorenzo Ghiberti's more famous Baptistery doors.
Parri Spinelli lived in Florence from 1411 or 1412 to 1419, and was a member of the workshop of Lorenzo Ghiberti.
On returning to Denmark, he published De berømte Broncedøre for Hovedindgangen til Baptisteriet i Florens, udførte af Lorenzo Ghiberti (1862) about Lorenzo Ghiberti's bronze doors in the Baptistry of Florence Cathedral.
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