Inside the church of San Michele Arcangelo, on the second south altar, a Madonna of the Rosary by Lorenzo Lippi and on the third north altar, and enameled terracotta of the Ascension by della Robbia and son Giovanni around 1495-1500.
His early training was by Matteo Rosselli (whose other pupils include Lorenzo Lippi and Baldassare Franceschini), though Furini is also described as influenced by Domenico Passignano and Giovanni Biliverti.
After painting for some time in Florence, and having married at the age of forty the daughter of the rich sculptor named Giovanni Francesco Susini, Lippi went as court painter to Innsbruck, where he has left many excellent portraits.
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