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In 2010, Capote's "A Christmas Memory" was adapted into a full-blown musical by Broadway veterans Larry Grossman (music) and Carol Hall (lyrics).
Afgar, or the Andalusian Leisure is a musical with lyrics by Douglas Furber, music by Charles Cuvillier and a book by Fred Thompson and Worton David.
It was Coury who persuaded McCartney to include the successful single "Helen Wheels" on the US version of Band On The Run (because it was last-minute, the lyrics to the song were not included on the lyric sheet).
The lyrics for the folk song "Where Have All the Flowers Gone?" by Pete Seeger and Joe Hickerson were adapted from a cossack folk song mentioned in And Quiet Flows the Don.
Buckner & Garcia paid tribute to Smilin' Ed McConnell and Froggy the Gremlin on a 1982 novelty song "Froggy's Lament" about the Sega arcade game Frogger from their album Pac-Man Fever with its lyrics "Hiya kids" and "Plunk your magic twanger, Froggy!".
She is perhaps best known for her 1963 Atco Records recording of "Deep Purple" (music by Peter DeRose and lyrics by Mitchell Parish) with her brother Antonino LoTempio (singing under the stage name Nino Tempo).
The song's lyrics display a surrealistic and nonsensical nature typical of the band; Deal's inspiration was a discarded child's art book she found on a New York City street.
Bless the Bride is a musical with music by Vivian Ellis and a book and lyrics by A. P. Herbert, the third of five musicals they wrote together.
The official soundtrack contains seven songs composed by Vijay Antony with the lyrics primarily penned by Kaviraj and Upendra.
He is particularly known for his often humorous and political lyrics, as well as his songs about baseball, such as "The Ballad of Eddie Klepp" and "Moe Berg: The Song".
Cockney Rejects expressed contempt for all politicians in their lyrics, and they rejected media claims that they had a British Movement following, or that the band members supported the views of that far right group.
Written and sung by frontman Tommy Scott in tribute to his late father, who was reported to dislike his son's taste of music, "Female of the Species" is a funky, upbeat Latin-flavoured number with feel-good sounding vibes and vocals reminiscent of lounge singers such as Perry Como and Frank Sinatra combined with keyboardist Franny Griffiths' trademark sound effects and Scott's dark humoured lyrics.
The song's lyrics describe the mysterious disappearance of Toronto Maple Leafs hockey player Bill Barilko.
It even shows different scenes that refer to the lyrics including the Badlands and a woman from Amarillo. At the end of the video, the camera looks up into the night sky after one last look at the graveyard.
He also collaborated in India with the Nobel Prize Laureate in Literature Rabindranath Tagore; thus, while the Indian national anthem's lyrics are Tagore's, the harmonisation is by Casanovas.
Frank Eyton (30 August 1894 – 11 November 1962) was an English popular music lyricist best known for co-writing the lyrics of Johnny Green's "Body and Soul" (1930) with Edward Heyman and Robert Sour.
The band claimed that the song's lyrics were akin to an aural Rorschach test and that people only heard in it what they wanted to hear, although this did not prevent persistent allegations that the lyrics alluded to heroin (although in an interview with Channel 4, drummer Jet Black quipped it was a song about Marmite).
He was a supporter of the revolutionary communist movement AKP(m-l) in his younger years, and many of the lyrics of his songs, especially those from the Vømmøl period, are influenced by the thoughts of Mao Zedong and Karl Marx, although the surface content of most of these songs concern the population of rural Norway, the industrial progress that followed World War II, and the effects of the latter on the former.
Varešanović performed a song with music written by Serbian composer Željko Joksimović and lyrics written by Bosnian writer Fahrudin Pecikoza and Serbian Dejan Ivanović.
Lyrics can be difficult to fully understand today, as they refer to people (e.g. Aimee Semple) or cultural elements (e.g. rotos) which have since been forgotten.
The lyrics deal with domestic violence and is inspired by the Nicole Brown Simpson case.
Unlike many of his other albums, on which his youth provided the source of his routines, Cosby's material here centers mostly on contemporary incidents with his family, notably the tracks "Bedroom Slippers" (involving back-yard play by his youngest daughter and their dogs) and "Froofie The Dog" (involving his oldest daughter wanting to watch the television while Bill himself is watching Gunsmoke).
Harrison choreographed the dance routines and designed her own outfit a red Japanese traditional kimono.
The music video was directed by Huse Monfaradi and features an aerobics class of women wearing 1980s styled aerobics outfits performing sexually suggestive gym routines led by Australian dancer and choreographer Deanne Berry, much to the enjoyment of the sole man in the group, played by Juan Pablo Di Pace.
The lyrics involve subjects that are "anything but hardcore," such as eating cupcakes from the Magnolia Bakery, searching for travel directions on MapQuest and buying tickets with $10 bills.
In 1985, the Radio Society of Great Britain published a small set of BASIC language routines to convert from locator references to geographical coordinates (latitude and longitude) for further processing.
"Mystical Adventure!" was sung by Jimi Tunnell, though the lyrics were not a literal translation of the original Japanese.
He spent the years 1934 to 1937 in England, contributing lyrics to stage shows and films, including several songs for the 1935 Jack Hylton feature She Shall Have Music.
She has also translated lyrics for other artists from English to Japanese (Hilary Duff's song "I Can't Wait", for example) as well as from Japanese to English.
In the film Top Gun, the music (without the lyrics) is played in the first training session at Miramar, while the full version with the lyrics played as the credits rolled over the sunset at the end of the film.
Some of the lyrics are taken from the poem "Neon Loneliness" (the first line of the chorus, "Under neon loneliness", is a direct lift) by Welsh poet Patrick Jones, the brother of Manics bass guitarist and lyricist Nicky Wire.
"Climb de Golden Fence : (oh my! wicked piccaninny)", lyrics by Hattie Starr, M. Witmark & Sons, 1895, interpolated into a production of C.W. Taylor's 1852 stage adaptation of Uncle Tom's Cabin.
The song "The Sound of Jazz to Come" references A Love Supreme by John Coltrane multiple times through its lyrics, while the title of this song references the similarly titled Ornette Coleman album The Shape of Jazz to Come.
Music and lyrics were witen by Neša Radulović, except for "Dečko, 'ajde o'ladi" ("Chill Out, Boy") for which music was written by Radulović and Sašo Bogojevski. Special guest on this album was Riblja Čorba frontman Bora Đorđević. The biggest hit from the album was "Dečko, 'ajde o'ladi", Radulović's duet with Lidija Asanović, which brought them Oskar popularnosti award for the Pop Band of the Year.
After the graduation, he returned to Syktyvkar, where he wrote the 1st String Quartet, “Psalms” for a choir a'capella on texts of a poem by Victor Savin in Komi language, and the Bible, musical “Ogorod”, numerous songs with lyrics by Komi poets of 19th century, also, a few songs for a pop-group “Aski”.
She was specially commissioned to write the lyrics of the theme song for Project Hope (Singapore), which ended up being entitled 'With Hands United'.
Apart from usual black metal themed lyrics, Pystynen writes about fantasy and the works of J. R. R. Tolkien.
As the songs title contained the trademark names Coca-Cola and the Swedish chewing gum Bugg, the European Broadcasting Union demanded that the lyrics would be changed before the Brussels final, so the song was renamed Boogaloo.
The lyrics possess many elements: betrayal, either political or personal ("treason"); the illusion of danger ("through a glass eye"); and fearlessness toward the unknown ("take me to the pilot of your soul").
Tale for a Deaf Ear is an opera in one act with music and lyrics by Mark Bucci, sung in three languages and based on a story by Elizabeth Enright that appeared in the April 1951 edition of Harper's Magazine.
"Let It Be" has been performed by a gospel choir with samples taken from some of President Barack Obama's speeches pasted together to form the lyrics of the song.
The music for them was written by Nat D. Ayer with lyrics by Clifford Grey, who also contributed to Yes, Uncle!, and the text was by George Grossmith, Jr. and Fred Thompson based on Rip and Bousquet's Le Fils Touffe.
The track Navras of Juno Reactor was used by rhythmic gymnasts Simona Peycheva of Bulgaria and Penelope Blackmore of Australia in their respective ribbon routines at the 2004 Athens Olympic Games.
In 1992 the Texas Tornados in their album Hangin' on by Thread made a version of "To Ramona" with lyrics partially translated and adapted into Spanish.
The music and lyrics are often inspired by German thrash metal bands such as Kreator and Destruction.
The CD release also contains a 32-page booklet which, in addition to liner notes and lyrics, also includes drawings and poems from Jason Lytle of Grandaddy, Jamie Stewart of Xiu Xiu, Zac Pennington of Parenthetical Girls, Brent Knopf of Menomena and Ramona Falls, and Paul Heaton of The Housemartins and The Beautiful South, among others.
The English lyrics was first recorded in 1951 by Frankie Laine and have little in common with the original Mandarin.
"You're Getting to Be a Habit with Me" is a 1932 popular song with music by Harry Warren and the lyrics by Al Dubin.
Some of the songs which were hit for which Yugabharathi has penned the lyrics are 'Kadhal pisase' from Run, 'Manmada Rasa' from Thiruda Thirudi, 'Konja neram' from Chandramukhi.
Other musical artists that mention Canavery in his notes was Juan Sarcione, composer of the lyrics and the music of the tango Largue esa Mujica, this theme was interpreted by Carlos Gardel and recorded in 1929 for the Odeon label.
Love All The People: Letters, Lyrics, Routines was a posthumously released collection of routines, letters and lyrics by American comedian Bill Hicks.