The Romantic tendencies continued throughout the century: both idealized landscape painting and Naturalism have their seeds in Romanticism: both Gustave Courbet and the Barbizon school are logical developments, as is too the late 19th century Symbolism of such painters at Gustave Moreau (the professor of Matisse and Rouault) or Odilon Redon.
Numerous exhibitions have been presented at the gallery, including the works of Monet, Degas, Cézanne, Renoir, Pissarro, Bonnard, Tanguy, Léger, Picasso, Modigliani, Matisse, Rauschenberg, Sisley, Feininger, Giacometti, and Miró.
Matisse's seminal painting Le bonheur de vivre (The joy of Life), from 1905 can be cited as an important precedent.
They include the 3,000 year-old snake women from Czechoslovakia, the ape man from India in Uncle Sam's top hat, the Indian elephant woman, the Maya woman, Greek sculptures and a Matisse figure.
The general commercial availability of cadmium sulfide from the 1840s led to its adoption by artists, notably Van Gogh, Monet (in his London series and other works) and Matisse (Bathers by a river 1916–1919).
The Chapelle du Rosaire de Vence (Chapel of the Rosary), often referred to as the Matisse Chapel or the Vence Chapel, is a small chapel built for Dominican sisters in the town of Vence on the French Riviera.
Around 1906, Picasso met Matisse through Gertrude Stein, at a time when both artists had recently acquired an interest in Tribal art, Iberian sculpture and African tribal masks.
Opening with a show of work by Augustus John, Vanessa Bell and Duncan Grant among others, its last show, "Since Cezanne", featured artists such as Picasso, Matisse and Modigliani.
At the end of the war, graduated from the Rome Fine Arts Academy, he moved to Paris, where he mixed with artists such as Matisse, Severini, Giacometti, and Manessier.
Many of the Fauve characteristics first cohered in Matisse's painting, Luxe, Calme et Volupté ("Luxury, Calm and Pleasure"), which he painted in the summer of 1904, whilst in Saint-Tropez with Paul Signac and Henri-Edmond Cross.
The painting shows three young men, probably Matisse's sons and nephew, playing a game of Boules.
An avid art collector, his extensive private collection includes the work of Mondrian, Matisse, John Cage, Jasper Johns, and Quebec artists Denis Juneau, John Lyman, and Ozias Leduc.
Jelena Hoffmann Dorotka (*1876 (Dubrovnik +1965), cubist painter, Jelena met many leading figures world painting (Matisse, Chagall, Picasso, Van Dongen, Laurencin, and others), and worked for a time in the Matisse Painting School.
There she was introduced to the German Expressionists, Rembrandt, Cézanne, Klee, and Matisse by her art history professor, Dr. Ernst Scheyer.
When John Kraushaar, Charles's younger brother, joined the business the gallery also began showing modern French painters: Soutine, Matisse, Roualt, Modigliani, Redon, Picasso and other late 19th- and early 20th-century artists.
He has published numerous monographs on 20th-century art, notably Situation de l’art moderne: Paris-New York (in association with William Rubin), Henri Matisse, Robert Motherwell: La vérité en peinture, Les Modernes et la tradition, Les États-Units de la peinture and L’art abstrait.
She then moved to Switzerland and the hotel school in Lausanne, and subsequently moved to Antibes where she became the "in-house photographer" for the Musée Picasso, photographing Picasso and his family and visitors such as Matisse, Chagall, Miró, and Léger.
She carried Gertrude Stein's manuscript 'word portraits' of Matisse and Picasso to Alfred Stieglitz's Camera Work office at 291 Fifth Avenue, (Little Galleries of the Photo-Secession) and insisted that Stieglitz publish them, which he did in the August 1912 edition of Camera Work, a special edition devoted to Picasso and Matisse.
The Montague Shearman Collection contains such famous painters as Picasso, Dalí, Matisse, Utrillo, Sisley, Pissarro, Monet, Renoir, Lautrec, Rowlandson and many others.
The permanent collection includes over three hundred pieces by Salvador Dalí, as well as works by Sisley, Cézanne, Renoir, Matisse and Picasso.
The museum is noted for its collection of European and American works, including works by Degas, Monet, Renoir, Picasso, Matisse, Pissarro, Rodin, Gauguin, Braque, Dufy, Miró, Jackson Pollock, Mary Cassatt, and Georgia O'Keeffe.
The art critic Richard Lacayo cites the painting as an example of the creative give-and-take between Picasso and Henri Matisse, in which Picasso "borrowed Matisse's voluptuous curves as a sign for pleasure and his use of black to intensify pink".
Delphis is easily recognised: it is psychedelic, with vibrant colours and designs inspired by artists such as Mondrian, Warhol, Matisse and Pollock.
In the late 1980s Quantel embarked on lawsuits against the Adobe "Photoshop" software package and the Spaceward Graphics "Matisse" system in an attempt to protect patented aspects of the Paintbox system.
Observational figure painting has enjoyed a long tradition that includes works by the famous Dutch painters Rembrandt and Vermeer, the famous French painters Cézanne and Matisse, the great Italian painter Giacometti, and the famous American figurative painters John Singer Sargent and Andrew Wyeth.
In a series of essays and reviews, he touches on numerous subjects including minimalism, the Barnes Foundation, and the Whitney Museum of American Art and examines artists including Vincent van Gogh, Edward Burne-Jones, Gustave Moreau, Picasso, Renoir, Matisse, Paul Klee.
At ten years old Bladen began drawing intensively, making copies of works by Titian, Picasso and Matisse.
The mansion was turned into a museum (Museu da Chácara do Céu) and its exhibits include works by Matisse, Jean Metzinger, Eliseu Visconti, Di Cavalcanti, and Candido Portinari.
In the 1960s there were touring exhibitions of works by Picasso, Matisse, and Francis Bacon.
After several trips outside of France, Matisse became interested in the Islamic art of North Africa.