The museum was created in 1801 with the purchase of the Cacault collection and was located in is actual Palais des Beaux-Arts since 1900.
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Bacchus discovering Ariane in Naxos is a painting by the Le Nain brothers, dating approximately 1630, that is part of the collection of French paintings in Orléans's Fine Arts museum.
Largely derived from Ovid, the painting is described in W. H. Auden's famous poem Musée des Beaux-Arts, named after the museum in which the painting is housed in Brussels, and became the subject of a poem of the same name by William Carlos Williams, as well as Lines on Bruegel's "Icarus" by Michael Hamburger.
The artist has been the director of the Beaux Arts school of Caen (Normandy), as well as the currator of the Musée des beaux-arts in Caen.
Mohr's work is collected by the Centre Pompidou in Paris, the Joseph Albers Museum, the Ludwig Museum in Cologne, the Museum for Concret Art in Ingolstadt, the Kunstmuseum Stuttgart, Musee d’Art Contemporain and Musée des Beaux-Arts in Montreal, the Stedelijk Museum in Amsterdam, Musée de l'Élysée in Switzerland, and many others.
The Musée d'art moderne de Troyes is one of the two main museums in the French city of Troyes - the other is the Musée des Beaux-Arts de Troyes.
There are also French paintings by artists such as Claude Vignon, Philippe de Champaigne, Gaspard Dughet, Jean Jouvenet, Sébastien Bourdon, Laurent de La Hyre, Charles Le Brun, Joseph Parrocel, Nicolas de Largillière, Jean-Baptiste Oudry, Charles-André van Loo, Louis Joseph Watteau, Joseph-Marie Vien, Camille Corot, Théodore Rousseau, Théodore Chassériau, Eugène Delacroix...
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The Musée des beaux-arts d'Arras is located in the old Abbey of St. Vaast in Arras, in the Nord-Pas-de-Calais, France.
Despite the bequest by the mayor Fervaques, Dr. Jacquette, of paintings by Courbet, Boudin and Lepine, modern, especially impressionist artwork remained virtually unrepresented at the museum.
The Italian school is represented with drawings by Pontormo, Guercino, Giovanni Lanfranco, Salvator Rosa and with twenty one Tuscan drawings from the 16th and early 17th centuries by Fra Angelico, Bartolommeo Bandinelli, Francesco Salviati, Baldassare Peruzzi, Il Sodoma and Giorgio Vasari.
In the seven rooms of the upper gallery are Flemish and Dutch paintings of the 16th and 17th centuries (Rubens, Carel Fabritius, Pieter van Aelst (1502–1550), Leonaert Bramer) and French paintings by Renaud Levieux, Jean-François de Troy, Pierre Subleyras and Paul Delaroche's Oliver Cromwell with the corpse of Charles I.
The modern wing built in 1985 is reserved for exhibitions and the old wing, which was renovated in 1987, houses a historical reconstruction of Pont-Aven at the end of the 19th century as well as the permanent collection dedicated to the Pont-Aven School.
This statue of Hercules slaying the Hydra of Lerna was originally in the castle of Vaudreuil, and was discovered, in 1882, by Adolphe-André Porée on the grounds of the Biéville-Beuville castle.
The resulting sensory perception in this first period of his work is the series of Nature morte, which were exposed for the first time in France at the Musée d'Art Moderne de la Ville de Paris, in Salon d'Automne at Grand Palais, at Musée des Beaux-Arts de Rouen and elsewhere.
Bode occupied this post from 1889 to 1914, establishing the Musée des Beaux-Arts and the Cabinet des estampes et des dessins as well as setting the grounds of part of the current Musée de l’Œuvre Notre-Dame's collections.