There are also French paintings by artists such as Claude Vignon, Philippe de Champaigne, Gaspard Dughet, Jean Jouvenet, Sébastien Bourdon, Laurent de La Hyre, Charles Le Brun, Joseph Parrocel, Nicolas de Largillière, Jean-Baptiste Oudry, Charles-André van Loo, Louis Joseph Watteau, Joseph-Marie Vien, Camille Corot, Théodore Rousseau, Théodore Chassériau, Eugène Delacroix...
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The Musée des beaux-arts d'Arras is located in the old Abbey of St. Vaast in Arras, in the Nord-Pas-de-Calais, France.
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Andrieu Contredit d'Arras (c.1200–1248) was a trouvère from Arras and active in the Puy d'Arras.
Other sites of similar La Tene period burials within the Arras culture, often with chariot burials include: Cawthorn Camps, Pexton Moor, Seamer, Hunmanby, Burton Fleming, Danes Graves, Garton, Wetwang, Middleton on the Wolds, Beverley and Hornsea.
A small farming and light industrial town located 8 miles (13 km) east of Arras, on the banks of the Scarpe river, at the junction of the D42, D43 and D46 roads.
King George V personally oversaw the firing of the first shell by Boche Buster from near Marœuil, 6 km NW of Arras, on 8 August in a fireplan to hit German reinforcements being sent south to oppose the British Amiens offensive.
There they were to adjudicate their dispute before the bishop in the cathedral of Notre-Dame.
The Congress of Arras was a diplomatic congregation established in Arras in 1435 between representatives of England, France, and Burgundy.
The Flemish culture also had a strong architectural impact in Arras, northern France.
Most were present at the principal battles of 1917, such as Arras, the Scarpe and the Third Battle of Ypres, and in 1918 at St Quentin, Albert and Cambrai.
Later on, with the rise of the computer science industry, the school built branches in Bordeaux, Montpellier, Arras then in October 2002 in Nantes and then later in Lyon.
When World War I began, Paulus's regiment was part of the thrust into France, and he saw action in the Vosges and around Arras in the autumn of 1914.
The newer Gallia Belgica included the cities of Camaracum (Cambrai), Nemetacum (Arras), Samarobriua (Amiens), Durocortorum (Reims), Diuidorum (Metz) and Augusta Treverorum (Trier).
“In 1479, the French threatened the town of Douai then Burgundian. In the small hour of 16 June 1479, day of the Maurand Saint, the French troops tried to penetrate in the city by the Door of Arras, the gatekeeper gave alarm and thus saved the city. The gatekeeper declared that the godly man had prevented it in dream; the relics of the saint stored with the Collegial Saint-Heart were then walked in the city.”
The reception was lukewarm in Canada, however, because of scenes depicting Canadian soldiers looting the French town of Arras and shooting unarmed Germans (which amounted to a war crime).
Guillaume was born into a wealthy bourgeois family of Arras, the son of Philippe le Vinier and Alent.
1/1st Hampshire Yeomanry was part of the 1st South Western Mounted Brigade on mobilisation but departed for France and saw action in Messines, the Somme, Arras, Ypres, and Flanders.
With her husband, and accompanied by the Countess of Namur, Jeanne de Harcourt, Isabella then travelled through the main territories of Burgundy: from Ghent (16 January) to Kortrijk (13 February) to Lille, and then to Brussels, Arras, Péronne-en-Mélantois, Mechelen and, by mid-March Noyon, where Isabella, now pregnant, chose to rest through the spring, only leaving when Joan of Arc led a campaign against the nearby Compiègne.
Two manuscripts are known of Ivan Uzhevych’s Grammatica sclavonica, written in Latin: The Paris manuscript from 1643 and the Arras manuscript from 1645, called so because of the place it is kept now; no place of
He became a favorite of the Burgundian court, and his patron for 20 years was the abbot of St. Vaast in Arras, Jean de Clercq.
Javert goes to Arras to see Champmathieu and satisfies himself that this is the real Valjean.
He was consecrated in Rome on 30 April 1603 and made his solemn entry in Arras in February 1604.
He went to school in Menin, and from the age of fifteen in Paris, where he studied law, beginning a legal practice in Arras.
Seven works by other trouvères (Jehan de Grieviler, Jehan Erart, Jaques le Vinier, Colart le Boutellier, and Mahieu de Gant) are dedicated to Bretel and he was for a time the "Prince" of the Puy d'Arras.
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Bretel held the hereditary post of sergeant at the Abbey of Saint Vaast in Arras, in which capacity he oversaw the rights of the abbacy on the river Scarpe.
Jehan de Nuevile (c.1200–c.1250) was the second son of the Eustache de Nuevile, a minor nobleman with land in Neuville-Vitasse, near Arras.
It consists of dialogue in the old Picardian dialect of Adam's home town, Arras, interspersed with short refrains or songs in a style which might be considered popular.
On 2 September 1918 in the Dury-Arras Sector, France, when his company had suffered heavy casualties, Private Young, a stretcher-bearer, went forward to dress the wounded in open ground swept by machine-gun and rifle fire.
Largely derived from Ovid, the painting is described in W. H. Auden's famous poem Musée des Beaux-Arts, named after the museum in which the painting is housed in Brussels, and became the subject of a poem of the same name by William Carlos Williams, as well as Lines on Bruegel's "Icarus" by Michael Hamburger.
By the time the operation had finished in Cambrai, the first German units had reached the English Channel, but the British counter-attacked just west of Arras on 21 May, following on from the counter-attack of the day before (Battle of Arras).
In 1614, at the age of 18, he left on a long trip eventually reaching Rome in 1616, via Atrecht, Amiens, Paris, Aix (February 1616), Marseille, Genoa, and Livorno.
Voltaire said of him, that he was the first who was served in silver in the trenches, and had ragouts and entremets served up to his table (at the siege of Arras, in 1658).
The British flight had just crossed the lines near Arras, with the intent of photographing the German infantry and artillery positions within the area, when Immelmann's flight intercepted them.
Despite the bequest by the mayor Fervaques, Dr. Jacquette, of paintings by Courbet, Boudin and Lepine, modern, especially impressionist artwork remained virtually unrepresented at the museum.
The museum was created in 1801 with the purchase of the Cacault collection and was located in is actual Palais des Beaux-Arts since 1900.
In the seven rooms of the upper gallery are Flemish and Dutch paintings of the 16th and 17th centuries (Rubens, Carel Fabritius, Pieter van Aelst (1502–1550), Leonaert Bramer) and French paintings by Renaud Levieux, Jean-François de Troy, Pierre Subleyras and Paul Delaroche's Oliver Cromwell with the corpse of Charles I.
Below was expected to overrun Arras during March 1918 in a repeat of Caporetto; his inability to do so led to the failure of the German campaign to capture the Somme that same month.
The King agreed to organize an expedition, and the royal army was summoned to gather at Arras on July 22.
On 26 November 1916, Goggins was guarding a position near Arras on the Western Front with Corporal John McDonald.
While some medieval sources claim that he was born in the Champagne region, more recent research indicates that he may have originated in Vitry-en-Artois near Arras.
Other puys under her patronage were founded at Amiens, Boulogne-sur-Mer, Caen, Évreux, and Rouen.
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The poets Andrieu Contredit d'Arras and Jean de Renti (criticisingly) make mention of it and its contests.
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The Puy d'Arras, called in its own day the Puy Notre-Dame, was a medieval poetical society formed in Arras for holding contests between trouvères and pour maintenir amour et joie (for maintaining love and joy, i.e. the courtly love lyric).
In 677 Warinus was stoned to death near Arras because of a feud between his brother, Leodegarius and Ebroin, the Frankish Mayor of the Palace of Neustria.
By 1964, it was owned by M. Rene Dupuis, and it was hangared at Arras Roclincourt Airport.
The resulting sensory perception in this first period of his work is the series of Nature morte, which were exposed for the first time in France at the Musée d'Art Moderne de la Ville de Paris, in Salon d'Automne at Grand Palais, at Musée des Beaux-Arts de Rouen and elsewhere.
He travelled through Cambrai, Tournai, Arras, Flanders, and Picardy, his sermons vehemently denouncing the vices of the clergy and the extravagant dress of the women, especially their lofty head-dresses, or hennins.
Bode occupied this post from 1889 to 1914, establishing the Musée des Beaux-Arts and the Cabinet des estampes et des dessins as well as setting the grounds of part of the current Musée de l’Œuvre Notre-Dame's collections.