They are considered widely influential on the Japanese noise music scene, as demonstrated by the re-release of their limited Live At Inroads cassette on CD by the Japanese label P.S.F. Records, as well as having a CD released by Osaka-based noise label Alchemy Records.
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After their impressive work on Bow Down, Allfrumtha I was signed by Mack 10 to his then-fledgling Hoo-Bangin' Records, and in 1998 released its self-titled debut album.
Founded in 1999, Paul Fischer, who DJ'd at KXLU college radio station in Los Angeles and worked at crank! Records, partnered with Dave Brown who ran Holiday Matinee Publicity and Muddle fanzine.
In 2010 Brokedown Cadillac recorded a cover of Sweet's The Ballroom Blitz which was placed on the The CW Television Network's Hellcats, and appears on the Warner Bros. Records -released soundtrack for the show, along with tracks by Ashley Tisdale and Aly Michalka.
Chapter Two: Hasta Siempre is a live album by Argentinian saxophonist and composer Gato Barbieri featuring three tracks recorded in the studio released on the Impulse! label.
Classic Jaheim Vol.1 is the first compilation album of Jaheim released on November 25, 2008 by Warner Bros. Records.
The story of how this album came to be and the process regarding its release on Warner Bros. Records is chronicled in Trynin's 2006 book Everything I'm Cracked Up to Be.
Dance Classics of Chaka Khan is a compilation album of recordings by American R&B/funk singer Chaka Khan released on the Warner Bros. Records label in Japan in 1999.
Wakeling released a solo album, No Warning, on I.R.S. Records in 1991 and has lived in California for a number of years.
In the US, artists were placed on Atlantic Records, Warner Bros. Records, Polydor Records, Passport Records/Jem Records, and Virgin Records and in various other labels in other parts of the world.
In 1968 he landed his first recording contract with Warner Bros. Records, and from that point until 1977 issued a number of singles that failed to break the charts.
Biz Markie, a rapper signed to Warner Bros. Records, had sampled a portion of the music from the song "Alone Again (Naturally)" by singer/songwriter Gilbert O'Sullivan, for use in "Alone Again", a track from Markie's third album, I Need a Haircut.
It was mentioned as a possible choice for the second single in a June 2007 article in Entertainment Weekly, which wrote that it "sounded tailor-made for a rom-com trailer coming soon to a theater near you." Irv Gotti, the head of Carlton's label, The Inc. Records, was quoted as saying that the song reminded him of the 1985 film The Breakfast Club.
It was released in 1966 as the band's second single on Warner Bros. Records, following their cover of Bob Dylan's "One Too Many Mornings," released earlier that year.
An album for Hollywood Beyond entitled If, followed on Warner Bros. Records in 1987, produced by Bernard Edwards, Mike Thorne, and Stephen Hague.
I'd Rather Suck My Thumb is the fourth album by American blues guitarist Mel Brown recorded in 1969 for the Impulse! label.
In 2007, the station was nominated for the top 25 markets Adult Contemporary station of the year award by Radio & Records magazine.
Besides Chris "Baby Chris" Lighty's Violator, in the late 1980s through 1990s, Red Alert Productions was the only major hip-hop management alternative to Russell Simmons' Rush Artist Management (which he despised) and Cold Chillin' Records' management division.
He oversaw what became a major multimarket, multi-label company, which, for its jazz subsidiary Impulse!, included Ray Charles, Oliver Nelson, Archie Shepp, Pharoah Sanders, and John Coltrane.
Laughing City is the first EP of the band Eisley released after signing with Warner Bros. Records.
In 2009, Cohen, accompanied by the Talich Quartet, released a double album Virtuosi, and the album Concertos, both on the Warner Classics label.
Marvelous Things is the second EP of the band Eisley released after signing with Warner Bros. Records.
From there he worked as a freelance producer and commercial voice-over announcer at Warner Bros. Records.
Some of these labels included Lookout! Records, Frank Kozik's Man's Ruin, Kill Rock Stars, Jade Tree, and most notably Jello Biafra's Alternative Tentacles Records and Long Gone John's Sympathy for the Record Industry, two labels whose most popular releases were by the Dead Kennedys and The White Stripes, respectively.
In 1987, Cold Chillin' signed a 5-year distribution deal with Warner Bros. Records.
Meanwhile, Miles had left Columbia Records after almost thirty years and signed with Warner Bros. Records, with Warner's head of jazz Tommy LiPuma given the responsibility of handling Miles's musical development.
Unlike the Hardcore Devo compilations, which contained several demos from Devo's pre-record deal days, this collection spans throughout much of their career with Warner Bros. Records and Enigma Records.
In 2003, Ray recorded "Al Ritmo del Piano" for Warner Music Latina.
It was heard by record producer Erik Jacobsen, who recorded Adams with the children from the third grade class at the school, and took it to Warner Bros. Records where the label management "guys in suits stood up and gave it a standing ovation".
They then signed a deal with Mack 10's Hoo-Bangin' Records in the late 90s and issued their only album in 1999 entitled Don't Be Saprize.
When Warner Bros. Records bought Slash, they took over distribution of Ruby's three most popular albums (The Gun Club's Fire of Love, The Misfits' Walk Among Us, The Dream Syndicate's The Days of Wine and Roses) and deleted the others (which included releases by The Flesh Eaters, Blurt and Lydia Lunch).
Another more probable scenario is that Kozelek was having strained relations with 4AD's American branch, controlled by Warner Bros. Records at the time.
He then recorded for Robinson's Enjoy! Records, his first release for the label being the similarly minimalistic "Love Rap" (on which he was accompanied on Congas by his brother Pooche Costello), issued on the B-side of the Treacherous Three's "New Rap Language" (on which he also featured), leading to his early nickname of 'The Love Rapper'.
Following the demise of the Dead Boys in 1979, Bators began a tumultuous relationship with Bomp! Records and its president, Greg Shaw.
The album was released on October 8, 2013 through Warner Bros. Records.
It was released in 1984 under the Warner Bros. Records label, but the rights to the album have since been sold Liberty Records.
The Cute Lepers released their second full length record "Smart Accessories" in December 2009 on 1-2-3-4 Go! Records in the United States and Damaged Goods Records in Europe.
The Get Set signed an exclusive recording contract with top independent record label Crank! A Record Company, whose roster also includes The Gloria Record, Mineral, The Icarus Line, and Neva Dinova.
The Light of the Sun is the fourth studio album by American recording artist Jill Scott, released June 21, 2011, on Blues Babe Records and Warner Bros. Records.
They signed with Panic Button Records, an imprint of influential punk label Lookout! Records that was overseen by Ben Weasel of Screeching Weasel fame.
The Naked Trucker and T-Bones' first live album, Live at the Troubadour, was released on Warner Bros. Records in conjunction with a DVD of the same concert on March 20, 2007.
Eventually labels began calling, as TVT, Atlantic, Warner Bros. Records, and Sony expressed interest, as well as major indies like Def Jux, Rhymesayers, Strange Famous, Black Clover and even Epitaph itself inquiring about the band.
There they teamed up with British born Roger Kellaway on piano, George Ricci on cello/viola and African-American drummer Grady Tate to record the group's one and only album “Happiness”, released on ABC's recently created jazz label Impulse! in 1965.
It was released by Warner Bros. Records without his co-operation and at the same time as his Arista album release the same year, Rave Un2 the Joy Fantastic.
Records (stylized as tREND iS dEAD! records) is an independent record label based out of Normal, Illinois, United States.
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The label was founded in 1995, initially releasing cassette and vinyl titles, before switching to more modern compact discs.
The E.P. sold out of the print run of 1,000 copies, however, before the second E.P. could be completed, vocalist Aaron Malone left the band to be replaced with Jeremy Gregory, who had recently returned to Perth from Los Angeles where he was signed to Warner Bros. Records.
They released an EP the next year and I.R.S. Records founder Miles Copeland III signed Wazmo and his band to Illegal Records/I.R.S. The signing resulted in the full length LP Things Aren't Right and featured the single "Checking Out The Checkout Girl" which received some airplay around the Midwestern U.S. Further success was limited and there were no other Illegal Records/I.R.S. releases for Wazmo Nariz.
This was the first of several Cosby albums to be recorded live at Harrah's, Lake Tahoe, Nevada, by Warner Bros. Records.
In 2007, the station was nominated for the top 25 markets country music Radio & Records magazine station of the year award .