Unlike Kern's past albums, this album breaks away from his other in the way that it is recorded solely on the piano; as such, there are no other instruments whatsoever on the album.
Piano Solo, code name for an envisaged plot for an Italian coup in 1964
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His compositional output includes works for violin and piano, solo piano, and orchestra; many of which were published by Arthur P. Schmidt and Charles H. Ditson.
Maria Hofer - Toccata (piano solo) Ballada, for violoncello and piano (with Euden Prochak) Lieder (with Patrizia Cigna, Wolf Matthias Friedrich)(noncommercial compilation)
He also made a contribution to Nick Drake's Bryter Layter album by performing a piano solo on the track "Poor Boy".
Wharton also worked with Lynott on the latter's 1982 solo recording The Philip Lynott Album where he played on most of the record's eleven tracks, and provided the striking piano solo on the single "Old Town".
She released the CD "Live Piano Solo" (2007) with works by Liszt, Bach–Busoni, Rachmaninov, Mendelssohn-Bartholdy, Silvestri and "Piano Recital" in 2009 (Ed. Casa Radio) with works by Scarlatti, Chopin, Schubert, Liszt, Schubert-Liszt, Skriabin, Rachmaninov, Bartók.
He recorded it first as a piano solo in Richmond, Indiana, in 1924, and then with his Red Hot Peppers in Chicago two years later, titled as it was originally copyrighted: "Original Jelly-Roll Blues." It is referenced by name in the 1917 Shelton Brooks composition "Darktown Strutters' Ball".
Johansson has released several instrumental solo records such as Fjäderlösa Tvåfotingar, Ten Seasons (a piano solo album improvised in the Mark Kostabi gallery, New York), Heavy Machinery (with Anders and Allan Holdsworth) and Fission (with Anders, Shawn Lane and Mike Stern) and many collaborations with other artists, metal compilations and Berends Brothers' band Mastermind.
Among these are works like Amatzinac for flute and string quartet (1935); his Symphony (1944); Sinfonietta (1945); Homenaje a Cervantes for two oboes and string orchestra (1947); his opera La Mulata de Córdoba (1948); Tierra de Temporal (1949); Muros Verdes for piano solo (1951); Bosques (1954); and the ballet Tierra (1958).
The piano solo in the middle of "Born for Me" is the subject of a chapter within Nick Hornby's Songbook, where its simply-played, undemonstrative character, of a piece with the song as a whole, is contrasted with virtuosic solos that use their underlying song as a jumping off point to some unrelated destination.
One example is the artistic production of the CD “Raras Partituras 4” featuring Salgán’s unknown compositions and arrangements for both tango orchestra (recorded by the Gran Orquesta TangoVia Buenos Aires) and for piano solo (recorded by Andrés Linetzky).
The concert included Hall Overton’s arrangements on Monk’s tunes (including a transcription of Monk's piano solo on "Little Rootie Tootie").
Ever since his earliest works (Tempora Retenta, 1971; Four Nocturnes, 1972; Duo for Piano and Orchestra, 1973; Bells for piano solo, 1974), his rich erudition has been a logical journey towards a postmodern synthesis imbued with an exploration of the range of avant-garde, and the spirit of 20th-century French music.