These, as well as the 24 Caprices in all the major and minor keys (which have been recorded by Oscar Shumsky), were written during 1814-1819 when he lived in Berlin.
At the beginning of the Revolution he accompanied Rode to England, where the two musicians appeared together in concerts.
Pierre Boulez | Pierre Trudeau | Pierre-Auguste Renoir | Pierre Corneille | Jean-Pierre Rampal | Pierre Loti | Pierre | Pierre Teilhard de Chardin | Jean-Pierre Thiollet | Pierre Puvis de Chavannes | Pierre Cardin | Pierre Bourdieu | Pierre Amoyal | Pierre Huyghe | Pierre Bonnard | Pierre-Constant Budin | Pierre-Joseph Proudhon | Pierre Beaumarchais | Pierre Restany | Pierre Curie | Pierre Louÿs | Pierre Bayle | Marco Pierre White | Jean-Pierre Ponnelle | Jean-Pierre Jeunet | Saint-Pierre, Martinique | Saint-Pierre | Pierre Monteux | Pierre Gassendi | Pierre Clémenti |
Together with Pierre Baillot and Pierre Rode, he was at the center of the development of the French school of violin playing around the turn of the 19th century, which defined much of the 19th-century (and hence the modern) approach to playing the violin.
Böhm studied in Budapest, with his father, and with Pierre Rode (probably when he was in Russia), so he is the link between the French school (an evolution of the Italian school through Viotti) and the Hungarian one.