He was the older brother of the great chess master Richard Réti (but, unlike his brother, he did not write his surname with an acute accent on the 'e').
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At the end of the first International Festival of Modern Music in Salzburg, in 1922, his 'Six Songs' were performed alongside Schoenberg's Second Quartet; three years later, at the 3rd ISCM Festival in Prague, his Concertino for Piano and Orchestra shared a programme with Martinu's 'Half-Time' and Vaughan Williams's 'A Pastoral Symphony'.
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Reti's method has been criticized by music theorist Nicholas Cook, who regards as Reti as having been over-concerned with proving the validity of his method, at the expense of producing convincing analyses of individual works.
Rudolph Valentino | Rudolph the Red-Nosed Reindeer | Wilma Rudolph | Rudolph Grey | Rudolph Ackermann | Rudolph the Red-Nosed Reindeer (song) | Rudolph II of Burgundy | Rudolph II | Richard Rudolph | Maya Rudolph | Rudolph Leibel | Rudolph I of Burgundy | Rudolph de Landas Berghes | Rudolph | Robert L. May (Rudolph) | Richard Réti | Ferdinand Rudolph Hassler | Wilhelm Rudolph Fittig | Rudolph Walker | Rudolph the Red-Nosed Reindeer (TV special) | Rudolph Pariser | Rudolph Maté | Rudolph Kos | Louis Rudolph, Duke of Brunswick-Lüneburg | Kyle Rudolph | Jacques Rudolph | Charles Rudolph Walgreen | Alan Rudolph | William Rudolph | Shirley Timm-Rudolph |
Keller's investigations into 'the unity of contrasts' were influenced by the analytic writings of Schoenberg and Rudolph Reti, both of whom he acknowledged.