In 1987, Andy Zweck from Harvey Goldsmith Productions in London, and Neil Dunn, a friend of Roskilly’s, brought the offer of becoming promoter for a pair of upcoming concerts for Paul Simon.
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His last major work under his own name was Mukai and with Jethro Shasha Musik Ye Africa, before he moved to South Africa, where his career blossomed.
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Acting as Technical Manager Roskilly went on to work with Dunn for a series of further concerts including the Reebok Sponsored HUMAN RIGHTS NOW Harare concert with Bruce Springsteen, Tracy Chapman, Sting, Youssou N’Dour,and Peter Gabriel.
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With no PA system available in Salisbury, Roskilly was sent to London with a government minder in tow to buy the relevant necessary PA equipment.
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They attracted the attention of Owen Elias and his colleague, musician Champion Doug Veitch, who released an EP by the band in the UK under licence from Shed Studios in 1985.
In 1987, just as their second UK album Tsvimbodzemoto was released by Elias, on the Discafrique label, The Bhundu Boys broke their contract with Shed Studios and signed to Warner Bros. Their first album True Jit, produced by Robin Millar was considered too far a jump in style from their original recordings and was unfavourably received.