Heynen earlier starred in regional productions of Private Eyes, Hedda Gabler, Pirandello's Six Characters in Search of an Author and nearly three dozen other productions in the Washington and Baltimore areas.
Pirandello's concern with the nature of identity, which figures strongly in such plays as Six Characters in Search of an Author and Enrico IV, is also at the philosophical core of this novel.
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As scholar Jane W. Stedman observes in her book Gilbert Before Sullivan, this play anticipates Luigi Pirandello's Six Characters in Search of an Author.
Tat Wood and Lawrence Miles point out the theatrical influence on this story, drawing particular attention to Luigi Pirandello's Six Characters in Search of an Author, and that the point of the story is to lead the audience to think that it's a story about an alien presence infiltrating the TARDIS in order to pull off the twist that the ship is actually conscious.
Inspired by Sherlock, Jr., Hellzapoppin', and Pirandello's Six Characters in Search of an Author, it is the tale of a film character who leaves a fictional film of the same name and enters the real world.
Connolly was a successful stage actor who appeared in twenty-two Broadway productions between 1916 and 1935, notably revivals of Pirandello's Six Characters in Search of an Author and Chekhov's Uncle Vanya.