Patrons of the arts such as Solomon R. Guggenheim, Adolph Lewisohn, Edgar Rossin, James Cox Brady, and Rodney Sharp adorned their walls with his canvases and murals.
Eventually, under the guidance of artist Hilla von Rebay, he focused on the collection of modern and contemporary art, creating an important collection by the 1930s and opening his first museum in 1939.
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In 1937, Guggenheim established the Solomon R. Guggenheim Foundation to foster the appreciation of modern art, and in 1939, he and his art advisor, artist Baroness Hilla von Rebay, opened a venue for the display of his collection, the Museum of Non-Objective Painting, at 24 East Fifty-fourth Street.
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Amongst the venues and festivals where AOP productions have appeared are the Lincoln Center Festival, the Guggenheim Museum, Symphony Space, Philadelphia's Annenberg Center, the U.S. Holocaust Memorial Museum, Berlin's Stükke Theater, Aleksander Fredro Teatr in Poland and the Ensemble Theater am Petersplatz in Vienna.
Excerpts from Cold Dream Colour were performed at the Guggenheim Museum's Works & Process series in New York in 2013 and Irish broadcaster John Kelly moderated a discussion of the work with its creators.
As a performer, Yoon has toured her experimental soundwork internationally, presenting her works at Lincoln Center, Brooklyn Academy of Music, the KBS/Nam June Paik Museum in Seoul, Patravadi Theatre in Bangkok, the Melbourne International Arts Festival, the Guggenheim Museum, Tonic, Roselee Goldberg’s PERFORMA Arts Biennial, John Zorn’s Stone, the annual Pop!
Shimkent hôtel (2003), Death of Glory (2006) and You should be the next Astronaut, all three included in the piece titled Warning to the spectator, were shown at the Solomon R. Guggenheim Museum in New York in 2009.
Shaw’s work is part of most major collections of American Art, including the Whitney Museum, the Metropolitan Museum of Art, the Museum of Fine Arts, Boston, the Art Institute of Chicago, the Guggenheim, the Smithsonian Institution, the Pennsylvania Academy of the Fine Arts and the Corcoran Gallery.
In 1998 Falco was co-curator of the Solomon R. Guggenheim Museum's The Art of the Motorcycle, for which he also wrote the exhibition catalog's introductory essay and bibliography.
Founded in 1997 by Stefan Schaefer and Diane Crespo, the company has also created promotional content for clients such as The Guggenheim Museum, The New York Yankees, The March of Dimes, among many others.
In 1993, one year before the withdrawal of American troops from the city, the Solomon R. Guggenheim Foundation's then-director, Thomas Krens, was approached with the idea of a Berlin branch of the museum by Richard C. Holbrooke, then the American ambassador to Germany.
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The museum was a collaboration between the Solomon R. Guggenheim Foundation and the Deutsche Bank, which owns the largest corporate art collection in the world.
Dresser Industries, whose history dated back to the 1880s, was formed from the 1938 merger of the Solomon R. Dresser Company and the Clark Brothers Company of Olean, New York.
His work has been exhibited in Mexico’s Galeria Clava, Paris’ Carrousel du Louvre, Mexico’s annual José Clemente Orozco Art competition, and New York’s Guggenheim museum, to name a few.
Some of his first art was acquired by the collections of the Guggenheim Museum and the Museum of Modern Art in New York City, as well as by the St. Louis Art Museum in his hometown and by Tate in London.
The Surrealism: Two Private Eyes exhibit at the Solomon R. Guggenheim Museum in New York City, taken from the immense Surrealist art collections of Daniel Filipacchi and Nesuhi Ertegün, included a four-painting array and one drawing.
LOT-EK has completed numerous residential, commercial and institutional projects in the US and abroad, as well as exhibition design and site-specific installations for major cultural institutions and museums, including MoMA, the Whitney Museum and the Guggenheim.
The Peggy Guggenheim Collection in Venice, Italy: Originally the private collection of Peggy Guggenheim, after her death passed to the Solomon R. Guggenheim Foundation in 1979.
His works are included in the permanent collections of the Guggenheim Museum, The Phoenix Art Museum, the Detroit Institute of Arts, and the Orlando Museum of Art, among others.
They worked on a total of seven projects, two of which were built: the Johnson Wax Research Tower, 1946-1951 at Racine Wisconsin and the Guggenheim Museum, 1946-1959 in New York.
He has tried to bring a branch of the Guggenheim Museum to Taichung, but to this point, there has been no apparent success in these efforts.
The Brooklyn Museum (New York City), the Honolulu Museum of Art, the National Gallery of Australia, the Rhode Island School of Design-Museum of Art (Providence, Rhode Island), the Solomon R. Guggenheim Museum (New York City), and the Toledo Museum of Art (Toledo, Ohio) are among the public collections holding work by John Seery.
At the Guggenheim Museum in 1999, Wieners gave one of his last public readings, celebrating an exhibit by the painter Francesco Clemente.
Hoefler has designed original typefaces for Rolling Stone Magazine, Harper’s Bazaar, The New York Times Magazine, Sports Illustrated, and Esquire and several institutional clients, including the Solomon R. Guggenheim Museum and alternative band They Might Be Giants.
Today, his works are on permanent display in numerous museums, including the Metropolitan Museum of Art, the Museum of Modern Art, the Solomon R. Guggenheim Museum, the Whitney Museum of American Art in New York City, the Hirshhorn Museum in Washington, and the Museum of Fine Arts, Houston.
Armin Mueller-Stahl in leading roles) featured a detailed life-size replica of the Solomon R. Guggenheim Museum's interior space, designed by architect Frank Lloyd Wright.
In 1941 he was invited to a joint exhibition that featured Lucio Fontana, Domingo Candia and Emilio Pettorutti at the Riverside Gallery of New York City, and in 1945 he participated in the contest for a Guggenheim scholarship.
Her work has screened internationally in festivals and museum exhibits, including the Guggenheim Museum's The Art of the Motorcycle, where she shared the bill with an episode of CHiPs.
In 1958, The Solomon R. Guggenheim Foundation gave him a prize and in 1960 he became a member of the Royal Academy of Belgium.
Her paintings were recognized and championed by Hilla von Rebay, chief advisor to Solomon R. Guggenheim, who purchased a number of her paintings, along with art from other standouts in the early American abstract art scene, for his Museum of Non-Objective Painting (later renamed Solomon R. Guggenheim Museum) in New York.
A total of 2000 Megolas were built and only 10 rideable examples remain, with one existing in the Guggenheim Museum in New York, USA.
Pekarsky moved to New York City in 1956, joining the staff of the Solomon R. Guggenheim Museum, then under the directorship of James Johnson Sweeney.
Paintings in various private collections as well as the Guggenheim and the Museum of Modern Art, NYC.
The works of Pedro Sandoval are part of the collection of Guggenheim Museum in New York, at the Art Museum of Boca Raton (Florida) or Museum of Fine Arts in Salta or the Museum of Contemporary Art at Osaka, among others.
Several of his students went on to direct major museums including Earl A. Powell III of the National Gallery of Art in Washington DC, Glenn D. Lowry of the Museum of Modern Art in New York, and Thomas Krens of the Guggenheim Museum in New York.
The Friedman House forms part of the post-war development of Wright's use of the circle, culminating in his Solomon R. Guggenheim Museum in Manhattan.
He is a Trustee and Chairman of the Executive & Finance Committee of The Solomon R. Guggenheim Museum and is a member of the Visiting Committee on 20th Century Art for the Metropolitan Museum of Art.
He is a member of the board of trustees of the Guggenheim Museum, Aspen Art Museum and he has for the past three years been a co-chairman of the Americans for the Arts awards.
Sato’s photographs are held throughout the world in public and private museums including the Solomon R. Guggenheim Museum (New York); the Los Angeles County Museum of Art; the Museum of Fine Arts, Houston; The Art Institute of Chicago; the Cleveland Museum of Art; Museum of Modern Art (Saitama, Japan); Hara Museum of Contemporary Art (Tokyo); Queensland Art Gallery (Brisbane); and Tokyo Metropolitan Museum of Photography.
Among others, Morimura's exhibitions have been shown at the Museum of Contemporary Art, Chicago (1992), the Cartier Foundation for Contemporary Art in Jouy-en-Josas, France (1993), the Hara Art Museum in Tokyo, Japan (1994), the Guggenheim Museum (1994), the Yokohama Museum of Art in Yokohama, Japan (1996), Museum of Contemporary Art San Diego (2006), and the Art Gallery of New South Wales in Sydney, Australia (2007).