Starting around 1993, with the introduction of Creative Labs' Sound Blaster AWE32 and Gravis' Ultrasound sound cards, the term "wavetable" started to be applied as a marketing term to any sound card that used PCM samples as the basis of sound creation.
Chemical synthesis | synthesis | Cambridge Low Frequency Synthesis Telescope | chemical synthesis | Williamson ether synthesis | wave field synthesis | Wöhler synthesis | Wave field synthesis | Synthesis Toolkit | Synthesis | Speech Synthesis Markup Language | Speech synthesis | Neon Synthesis | National Institute for Mathematical and Biological Synthesis | National Center for Ecological Analysis and Synthesis | Molonglo Observatory Synthesis Telescope | Modern evolutionary synthesis | modern evolutionary synthesis | Microwave Imaging Radiometer with Aperture Synthesis | Meyers synthesis | Hantzsch pyrrole synthesis | Hantzsch pyridine synthesis | Grundmann aldehyde synthesis | Granular synthesis | Gabriel synthesis | Frequency modulation synthesis | Festival Speech Synthesis System | Distortion synthesis | distortion synthesis | Debus-Radziszewski imidazole synthesis |
Jerry, in addition to FM and PCM capabilities, Jerry supported Wavetable Synthesis.