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unusual facts about Wembley Studios



Oswald Morris

Dropping out in 1932, he started working in the film industry at Wembley Studios as an unpaid gofer for Michael Powell, among others, eventually graduating to the positions of clapper boy and camera assistant on quota quickies.

Philip Braham

In the early 1930s, Braham turned to film music, working as musical director at Wembley Studios and writing music for such films as Money for Speed (1933).

Reginald Beck

He began working in the film industry in 1927 when he joined Gainsborough Pictures before going on to work on quota quickies at Wembley Studios.


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