The white wedding style was given another significant boost in 1981, when three-quarter billion people—one out of six people around the globe—watched Charles, Prince of Wales marry Diana Spencer in her elaborate white taffeta dress with a 25-foot-long train.
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A subtle shift in the requirements for a wedding can be detected in the modern blurb for Emily Post's Weddings "creating a wedding experience that demonstrates the bride and groom's commitment and uniqueness." "Uniqueness" is a modern addition to a wedding's requirements.
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The portrayal of weddings in Hollywood movies, particularly immediately after World War II, helped crystallize and homogenize the white wedding into a normative form.
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His first role in the theatre was in Tadeusz Różewicz' White Wedding, and he soon received roles in local productions of Fyodor Dostoyevsky's White Nights and William Shakespeare's Midsummer Night's Dream, among others.