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Alfonso A. Ossorio (1916–1990) was an abstract expressionist artist who was born in Manila in 1916 to wealthy Filipino parents from the province of Negros Occidental.
In collaboration with Joseph Vento Ruiz, and Medina and Julio Martín-Caro, Fraile founded the group, "Nuevo Espacialismo," reintroducing the figure with a narrative emphasis, citing the abstract expressionist painter Willem de Kooning as one of their influences.
This movement also paralleled the Abstract Expressionism movement that was taking place at the same time in the United States, and had ties to the Arte Povera movement.
The award of the Blake Prize to Charles Bannon in 1954 for his "Judas Iscariot" was one of the most controversial in its history; this opened controversy over what constituted religious art and over "abstract expressionism" which threatened to overwhelm the exhibition.
de Kooning: An American Master is a biography of Dutch American painter Willem de Kooning, a prominent figure in the American movement of abstract expressionism in the thirties and forties.
Its meaning is difficult to comprehend, however it could be that, like Jackson Pollock, another Abstract Expressionist and contemporary of Rothko, the piece has no "meaning" in the normal sense of the word, but rather the painting is itself its own meaning.
Spratt was informed by the formalist art of Josef Albers, minimalist painting by Ellsworth Kelly and Ad Reinhardt, and abstract expressionist painting by Barnett Newman; his work was also deeply influenced by his early days as a sign painter.
Their work is characterised as a fusion between minimalism, high-technology and Abstract expressionism, typified by their design for the Vuotalo Cultural Centre in Helsinki, or the Heureka Science Centre, in Vantaa with the juxtaposition of stark concrete elements against colourful high-tech metal structures and large glazed surfaces.
The following four years Colombo was active as a painter and sculptor of the abstract Expressionism and exhibited his works with other members in Milano, Torino, Verviers, Venice and Brussels.
Joseph Glasco (1925 – May 31, 1996) was an American Abstract Expressionist painter and sculptor, best known for being at one time the youngest artist represented in the permanent collection of The Museum of Modern Art.
The collection stresses significant American artistic movements, including regionalism (with paintings by Grant Wood and Thomas Hart Benton) and Abstract Expressionism (with work by Jackson Pollock, Hans Hofmann, and Helen Frankenthaler) and Pop Art (with work by George Segal and Tom Wesselmann).
In 1962 Maratier rejected the Abstract Expressionism which he had initially advocated and developed a more traditionally figurative, albeit minimalist, style specialising in the Monochrome still lifes for which he is now best known.
Most recently, "Pollock Matters" (2007) received much media attention, comprising over 150 paintings, drawings, photographs, and sculptures, exploring the personal and artistic relationship between famed American Abstract Expressionist painter Jackson Pollock and noted Swiss-born photographer and graphic designer Herbert Matter.
The Los Angeles Times has described Cowen as "a man who can talk about Haitian voodoo flags, Iranian cinema, Hong Kong cuisine, Abstract Expressionism, Zairian music and Mexican folk art with seemingly equal facility".
He also acknowledged the gulf between those who revered the School of New York and those who embraced the un-painterly successors to Mark Rothko and Morris Louis, those artists who seemed to represent a repudiation of Abstract Expressionism.
Initially the Avant-garde, Art Brut and American abstract Expressionism (e.g. Pollock had a big impact on him) influenced Barceló's work, on the other hand he was always particularly interested in the Baroque paintings of Diego Velázquez, Tintoretto and Rembrandt.