The Composers' Publishing Company was a Tin Pan Alley music publishing company incorporated in New York in 1904 by directors Alfred Baldwin Sloane, Irvin M. Hellig, and A. Merrill.
American Society of Composers, Authors and Publishers | American Composers Orchestra | Society of Composers, Authors and Music Publishers of Canada | composers | Canadian League of Composers | List of American composers | Composers Recordings, Inc. | Union of Soviet Composers | Oregon Bach Festival Composers' Symposium | London Jazz Composers' Orchestra | List of German composers | Composers' and Choreographers' Theatre | American Composers' Alliance |
Over the years he performed works by composers such as Johann Sebastian Bach, Ludwig van Beethoven, Béla Bartók, Ernest Bloch, Johannes Brahms, Claude Debussy, George Frideric Handel, Joseph Haydn, Paul Hindemith, Darius Milhaud, Sergei Prokofiev, Robert Schumann, Grigoraș Dinicu, George Enescu, César Franck, Fritz Kreisler, Ottokar Nováček, Gaetano Pugnani, Pablo de Sarasate and Pyotr Ilyich Tchaikovsky.
Music sung ranges from Tallis and Byrd to more modern composers - communion settings by Kenneth Leighton and Grayston Ives and anthems by Malcolm Archer, Colin Mawby, Alan Ridout and Paul Edwards.
Dmitri Shostakovich, Sergei Prokofiev, Aram Khachaturian and many other composers were reprimanded during this period.
One of the least internationally known of British minimalist composers, Poppy was a founding member (in 1981) of The Lost Jockey, a large ensemble dedicated to the performance of new works by British composers composed in the style of such composers as Philip Glass, Steve Reich, and Louis Andriessen.
It helped to popularize the works of composers like Steve Reich and Philip Glass; the Center has also hosted shows by performers ranging from the Jerusalem Symphony Orchestra to Ladysmith Black Mambazo.
Inspired by the success of the Nitrate Hymnal, ASM has partnered with innovative composers working outside the classical and jazz traditions in a new DIY commissioning program called "ASM Sleeps Around." The first partnership was with experimental hip hop group Dälek; the second was with Warn Defever from His Name Is Alive.
In addition to performing the traditional quartet repertoire, the Ariel Quartet regularly collaborates with many Israeli and non-Israeli musicians and composers, including pianists Roman Rabinovich, Alexander Gavrylyuk, Stefano Miceli and Yaron Kohlberg; the Jerusalem String Quartet; composers Matan Porat, Matti Kovler, and Menachem Wiesenberg; clarinetist Moran Katz; violist Roger Tapping; and the Zukerman Chamber Players.
He closely collaborated with his brother Henryk Gold and with Jerzy Petersburski with whom he arranged music for his famous ensembles; they were among the most popular composers in interwar Poland and many of their hits were sung throughout the whole country.
Beth Soll has also collaborated with various composers such as Robert Aldridge, Richard Cornell, John Funkhouser and Dennis Miller.
CUJO has performed in numerous professional venues in the UK on national tours including the Bull's Head in Barnes, won gold awards in UK-wide big band competitions and has collaborated with world-famous musicians, composers and arrangers such as Laurence Cottle (2013), Stan Sulzmann (2012), Steve Waterman (2010), Issie Barratt and Mike Gibbs (2009), and Mark Nightingale (2007).
They regularly perform the works of contemporaries like Osvaldo Golijov, Gunther Schuller, Bruce Wolosoff, and Korine Fujiwara, as well as the works of classical composers such as Wolfgang Amadeus Mozart, Ludwig van Beethoven, Felix Mendelssohn, Joseph Haydn and countless others.
Recent premieres of works by Australian composers James Ledger and Douglas Knehans were critically acclaimed and he has also worked with Singaporean composers Ho Chee Kong, the late Leong Yoon Pin, Bernard Tan and the late Tsao Chieh.
Although a few compositions for this ensemble were produced over the following years, including the Op. 34 clarinet quintet by Carl Maria von Weber, a composer famous for his solo clarinet compositions, it was not until Johannes Brahms composed his Clarinet Quintet in B minor, Op. 115 for Richard Mühlfeld that the clarinet quintet began to receive considerable attention from composers.
George Perle (1990) has argued that this amounts to "Tradition in 20th Century Music", the most significant element of which is the "shared premise of the harmonic equivalence of inversionally symmetrical pitch-class relations," among composers such as Edgard Varèse, Alban Berg, Béla Bartók, Arnold Schoenberg, Alexander Scriabin, Igor Stravinsky, Anton Webern, and himself.
In addition to an esteemed career as a composer, Koukias has mentored numerous composers including Matthew Dewey, Michael Lampard and Thanapoom Sirichang.
Renowned composers whose works have appeared in other collected editions, such as Josquin des Prez, Giovanni Pierluigi da Palestrina, and Orlande de Lassus, are generally excluded from the set.
The school has an 8-part choir, typically performing choral works ranging from the early works of Thomas Tallis through Joseph Haydn's Insanae et Vanae Curae to the recent works of composers such as John Tavener.
The musicologist Colin Eatock writes that the term "English musical renaissance" carries "the implicit proposition that British music had raised itself to a stature equal to the best the continent had to offer"; among the continental composers of the period were Brahms, Tchaikovsky, Dvořák, Fauré, Bruckner, Mahler and Puccini.
In his musical career, he generally worked in collaboration with the composers Çiğdem Talu and Melih Kibar.
In 2008/2009 FCMG celebrated its 50th Anniversary and this celebration was marked by further commissions: Two song cycles for children’s choir from composers John Pickard (Songs of Rain and Sea with text by Sigrún Davídsdóttir) and James Weeks (Hototogisu, a setting of 17 Haiku written by the great Japanese post Basho).
During these years he organized concerts, radio broadcasts, seminars and events celebrating individual composers, supported technological developments (Syter, GRM Tools, Midi Formers, Acousmographe) and was behind innovations such as the Acousmonium and the INA-GRM recordings label.
Las Miami, MSM, 2004 (Producers, Arrangers, Composers, Musicians, Background Vocals)
She also did educational work, such as Musical Composers and their Works (1875) and The Old Masters and their Pictures for the Use of Schools and Learners in Art (1880), and biographical compendia such as Six Royal Ladies of the House of Hanover (1898).
Yet, it was inevitable that Italian composers would respond to the fading values of Romanticism and the cynicism provoked in many European artistic quarters by such things as World War I and such cultural/scientific phenomena as psychoanalysis in which—at least according to Robert Louis Stevenson—"all men have secret thoughts that would shame hell."
She has performed the works of notable composers such as Roger Sessions, Harold Schiffman, and John Harbison.
In the United States and abroad, he has premiered and recorded works of many contemporary composers, including Charles Wuorinen, Milton Babbitt, Elliott Carter, Lasse Thoresen, Gerard Grisey, Jonathan Dawe, Tristan Murail, Ralph Shapey, Luigi Nono, Mario Davidovsky, and Wolfgang Rihm.
On a more traditional vein, together with Lito Vitale he headed a collaboration that culminated in Postales de este lado del mundo (1991), an album which included themes from popular traditional Argentine composers, like Carlos Gardel, Homero Manzi, the brothers Expósito, Mariano Mores, Enrique Santos Discépolo and María Elena Walsh.
Composers who studied with Mr. Husa include Steven Stucky, Christopher Rouse, John S. Hilliard, David Conte, and Byron Adams.
The concerts in November 1962 brought together a group of four, consisting of Pedersen, Køpcke and two young Danish composers called Eric Andersen and Henning Christiansen, that enlivened Danish art life with numerous Fluxus performances in 1963 and 1964, many of them organised by Pedersen.
Nicky's sons, with ex-wife Una Stubbs, are composers Christian and Joseph; and another son, with wife Marguerite Porter, is Keaton, an artist.
In addition to the Gregorian chant in the Roman Gradual, many composers have written settings for the text, including Tomás Luis de Victoria, Anton Bruckner, Giuseppe Verdi, Gabriel Fauré, Maurice Duruflé, Benjamin Britten, Krzysztof Penderecki and David Maslanka.
His other commissions and premiers include works by composers such as Steven Stucky, David Maslanka, Jorge Liderman, Verne Reynolds, Christopher Theofanidis, John Fitz Rogers, David Liptak, Robert Morris, Jeff Tyzik, Joseph Turrin, Kyle Blaha, Jacob Bancks, James Matheson, Steven Burke, Sally Lamb, Sydney Hodkinson, and David Borden.
One telegram from Moscow was signed by "workers in science, literature, the arts" by composers Dmitri Shostakovich and Sergei Prokofiev.
The soundtrack consists of two discs and features music from various artists and composers such as Harry Gregson-Williams, Norihiko Hibino, Cynthia Harrell, TAPPY, and Starsailor.
In 1987 she disbanded her ensemble and made a shift to performing solo works, often in collaboration with visual artists including Kiki Smith, Richard Long and Tatsuo Miyajima and composers such as Philip Glass, Laurie Anderson, Pauline Oliveros.
Neil Galanter is an American pianist in Los Angeles, California, who is a leading specialist in researching and performing the works of Iberian/Spanish, Catalan, Belgian, and other European composers including Mompou, Montsalvatge, Granados, Albeniz, Mompou, Blancafort, Espla, and Poot.
Other composers who wrote variations based on Paisiello's work include Johann Nepomuk Hummel, Giovanni Bottesini (for double bass), Johann Baptist Wanhal, and notably, Paganini ("Introduction and variations in G major" for violin, Op. 38, MS 44, 1827).
The conservatory has served as a training ground for orchestral players to fill the ranks of the Boston Symphony Orchestra, much like the Curtis Institute serves as a training ground for the Philadelphia Orchestra, although composers, pianists, and singers are offered courses of study as well.
The only composers whose names have come down to us from this time are Léonin and Pérotin.
A few later composers also set Lucchini's libretto, among them Josef Mysliveček, whose opera Farnace of 1767 was perhaps the best written after Vivaldi's setting.
Composers and performers from Princeton and elsewhere developed new pieces for the ensemble, including Paul Lansky (Professor of Music at Princeton), Brad Garton (Director of the Columbia Computer Music Center), Pauline Oliveros, PLOrk co-founders Dan Trueman and Perry Cook, Scott Smallwood, Ge Wang, and others.
A very large number of composers set the text over the centuries: Renaissance composers such as Palestrina, and Byrd, classical composers such as Joseph Leopold Eybler, up to modern composers such as John Scott Whiteley, Gaston Litaize, and Perosi.
Among the composers represented in the book is Sir William Hawte.
He is also one of a very few Canadian academics who have studied with notable film composers Jerry Goldsmith, John Williams, Bruce Broughton, Henry Mancini and Buddy Baker at the University of Southern California Thornton School of Music in composition for motion pictures and television.
Tambuco has played on three continents, has received many awards worldwide, and has collaborated with composers such as Keiko Abe, Glen Vélez, Michael Nyman, Steward Copeland, Valerie Naranjo, Robert Van Sice, Celso Machado, Enrique Diemecke and Eduardo Mata, who worked with Tambuco to record the percussion works of Carlos Chávez for Dorian Recordings label.
His solo recordings include a compact disc of the solo music of Johann Paul Schiffelholz (misattributed to Giuseppe Antonio Brescianello) for gallichon, a 3 CD box set containing partitas composed by Silvius Leopold Weiss for baroque lute from the Warsaw manuscript, and a CD containing music of 16th century Paduan lute composers recorded in the famous anatomical theater of the "Università degli Studi di Padova" (University of Padua).
Herbert Sumsion, organist at Gloucester between 1928 and 1967, particularly helped to promote the works of native composers, including premiering works of Howells, Finzi, and others.
Among the well-known composers who have written works for the Choir are John Weinzweig, Louis Applebaum, Milton Barnes, Srul Irving Glick, Ben Steinberg and Leon Zuckert.
He was one of the most active avant-garde composers in Lithuania in the 1960s, influenced by Krzysztof Penderecki, Witold Lutosławski and György Ligeti.