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Until 2004 a single prize was awarded for the technical categories of cinematography, film editing, production design, art direction and musical score under the rubric "Outstanding Singular Achievement"
He won the Genie Award for Best Achievement in Art Direction/Production Design for Fido with Rob Gray.
He is nominated for a Genie Award for Best Achievement in Art Direction/Production Design for Shake Hands with the Devil (with Lindsey Hermer-Bell).
The film was shot on Brazilian locations and featured action scenes arranged by Hunebelle's stunt coordinator Claude Carliez with production design by Paul-Louis Boutié.
Patrice Vermette (Born 1970) is a Canadian production designer/art director who has won three awards for his work on C.R.A.Z.Y., the Genie Award for Best Achievement in Art Direction/Production Design and a Jutra Award for Best Art Direction.
Bancom Audiovision's Kisapmata, a movie about a deranged retired policeman, won ten of the 13 awards in the 1981 Metro Manila Film Festival--- Best Picture; Vic Silayan (Best Actor); Jay Ilagan (Best Supporting Actor); Charito Solis (Best Supporting Actress); Mike de Leon (Best Director); Clodualdo del Mundo, Jr., Racquel Villavicencio and Mike de Leon (Best Screenplay and Story); Jess Navarro (Best Editing); Best Production Design and Best Sound Engineering.
Their movie, Viva Productions' Imortal wins the Best Picture award and eight other awards- Best Director (Eddie Garcia); Best Supporting Actress (Cherie Gil); Best Story and Screenplay ( Orlando Nadres); Best Film Editing (Ike Jarlego, Jr.); Best Production Design ( Elmer Manapul); Best Musical Score and Best Original Song (George Canseco).
FLT Film International’s Juan Tamad at Mister Shooli sa Mongolian Barbeque (The Movie) received seven awards--- Best Actor (Eric Quizon); Best Supporting Actor (Leo Martinez); Best Cinematography (Johnny Arajo); Best Sound Recording (Gaudencio Barredo); Best Production Design (Edel Templonuevo); the festival’s Second Best Picture and the Gatpuno Antonio J. Villegas Cultural Awards.
Viva Films' Muling Umawit ang Puso romped away with 11 awards--- Best Picture; Best Actress (Nora Aunor); Best Supporting Actor (Albert Martinez); Best Supporting Actress (Donna Cruz); Best Director (Joel Lamangan); Best Story; Best Screenplay; Best Musical Score; Best Theme Song; Best Production Design and the Gatpuno Antonio J. Villegas Cultural Awards.
Eduardo Jacinto (Cinematography) and Len Santos (Production Design) – Milagros
Andrejew's ideas were continued a decade later in the mythological films directed by Pier Paolo Pasolini, Edipo re (Oedipus Rex, 1967) with the production design by Luigi Scaccianoce, and Medea (1969) with the production design by Dante Ferretti.
He commenced his own production design career in TV commercials over a period of ten years from 1985 to 1995 (for such clients as Pepsi, Nike, Jeep, Coke and Levi’s), which led to his ongoing associations with directors Scott and Fincher.
2006 DGC Craft Award for Outstanding Production Design - Feature Film - A History of Violence - Nominated
In 2009, he became lead vehicle designer for Marvel Studios' 2011 Captain America: The First Avenger, under the production design of Rick Heinrichs and creative guidance of director Joe Johnston, creating unique land, sea and air vehicles for the movie.
The production design by Jennifer Kernke and palette of colors used throughout the film were inspired by paintings created by the Glasgow Boys and Glasgow Girls, Glasgow School collectives whose artwork featured prosaic scenes of the Scottish countryside.
Wormley's occasional tables for Dunbar include his tile-topped tables created as part of the Janus line in 1957 which were a partnership between Modern production design aesthetic and the tile traditions of Tiffany and Otto Natzler.
Dyas previously received three consecutive Art Directors Guild Award nominations for his production design work on Steven Spielberg's Indiana Jones and the Kingdom of the Crystal Skull, Shekhar Kapur's Elizabeth: The Golden Age and Superman Returns for Bryan Singer.
2005 Nominated Australian Film Institute Awards: Best Costume Design, Best Editing, Best Lead Actor (William McInnes), Best Lead Actress (Justine Clarke), Best Production Design, Best Sound, and Best Supporting Actress (Daniella Farinacci)
Production design and visual effects bear signs of significant inspiration by aesthetics of notable 1970s/80s science fiction films like Alien, Aliens, Blade Runner or The Terminator.
The Western Australian Academy of Performing Arts (WAAPA) was established in 1980 and teaches acting, musical theatre, directing, dance, jazz and contemporary music, classical music, arts management, production, design, and broadcasting.
The libretto was commissioned by Scottish Opera, and first used in Glasgow on 23 October 1985, in a performance conducted by Sir Alexander Gibson and directed by Graham Vick, with production design by Russell Craig.
After the initial 1989 titles were art directed by John Workman, the in-house Piranha production design was by Bhob Stewart from 1989 to 1992, with other design contributions by Dale Crain, Rick Spanier, Richard Bruning, Veronica Carlin, Margaret Clark and Rick Keene.
Arguing that the beginning of the film was "tediously padded", they thought that the subplot based around Mimmick and Flannigan was unnecessary, and that the actual Great Land of Small – while envisioned as a place like the Land of Oz or The Neverending Storys Fantasia – was "a distinct disappointment" due to its "embarrassingly low-budget production design, and cheap editing tricks".
The film is a throwback to drive-in Sasquatch classics of the 1970s like The Legend of Boggy Creek, and is known for its recreation of their specific vintage style, pacing and feel—from the real-life characters down to the period production design and music.
The film received 12 nominations and won 6 awards at the 7th African Movie Academy Awards in 2011, including the awards for Best Picture, Best Director, Best Cinematography & Best Production Design.
In 1929, Menzies partnered with producer Joseph M. Schenck to create a series of early sound short films visualizing great works of music, including a 10-minute version of Dukas' The Sorcerer's Apprentice, and created the production design and special effects for Schenck's feature film The Lottery Bride (1930).