A growing trend is for movie studios to re-release films in theaters converted to 3D or IMAX: notable examples include The Lion King, Raiders of the Lost Ark and Titanic.
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More recently, many albums originally released on CD or earlier formats have been reissued on SACD or DVD-Audio.
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Other examples include films' being re-released in time for certain anniversaries; Lawrence of Arabia was given a limited re-release in 2012, fully remastered in 4K for its 50th anniversary, and Jurassic Park was re-released on April 5, 2013 in 3D and IMAX 3D for its 20th anniversary.
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One called Wiggledance! (Live in Concert) by The Wiggles was re-released in 1998, the same year after the original one was awarded.
reissue | Pacemaker Pictures theatrical poster for the 1979 U.S release of ''Body Snatcher from Hell''. The film was double-billed with a reissue of Bloody Pit of Horror |
Since then, the label has branched out into various rock and jazz releases and even spawned two specialist reissue sublabels, Infinite Zero Archive (a joint venture with Rick Rubin's American Recordings), and District Line, which specializes in reissuing the music of Rollins' hometown of Washington, D.C. It is also used as the name of Rollins' Blazin' (finishing move) in Def Jam: Fight For NY.
Gertrude Friedberg - The Revolving Boy (1968, reissue from 1966, H-58, 60c)
Both "We Can Fly from Here" and "Riding a Tide" (appearing as demos on the 2010 reissue) were rerecorded by Yes (with Horn as producer and Downes on keyboards) for their 2011 studio album Fly from Here.
With the successes of Everybody's Talkin' and The Point! creating demand for Nilsson recordings, a reissue of his first two RCA Victor albums (Pandemonium Shadow Show and Aerial Ballet), then out of print, was considered.
:*Two Classic Albums from The Anita Kerr Singers 1999/CD COLLECTOR'S CHOICE (US), reissue of Anita's The Anita Kerr Singers Reflect on the Hits of Burt Bacharach & Hal David and Velvet Voices and Bold Brass LPs, respectively
The original record had no liner notes; the 2004 reissue on RCA Records contained extensive liner notes by Rich Kienzle, who provided a song-by-song summary of the album, along with background information on the latter's creation.
"No Sensitivity" originally appeared on a 2000 split EP with Jebediah, and also later appeared as a B-side on the German release of "The Middle" single and as a bonus track on the 2008 reissue of Bleed American.
His part in Reggie and the Full Effect has been with several incarnations of the band as well as recording the guitar tracks for the Greatest Hits 1984-1987 (Reissue), Lord of the Bling, Songs Not to Get Married To, Last Stop: Crappy Town and "No Country for Old Musicians".
"Lord, Help Me to Be" and "The Sun" were later included as bonus tracks on the CD reissue of Alice Coltrane's album A Monastic Trio.
Originally released in May 1971 as a double LP on Mayfield's Curtom label (distributed through Neil Bogart's Buddah Records), the album's twelve tracks (track listing below is from the 2000 Rhino reissue, which includes two bonus tracks) — along with Mayfield's interstitial raps on the politics of the day — were recorded at Paul Colby's Bitter End nightclub in New York City.
Assisted by Allen a reissue programme was commenced in March 2011, with the release of a three CD boxed set retrospective entitled Last Daze of The Underground (ECLEC32245) featuring, for the first time, the full history of the Delerium label and packaging by renowned reissue designer Phil Smee.
The first major retrospective of his musical career "Ernest Stoneman: The Unsung Father of Country Music 1925-1934" (5 String Productions) was issued in 2008 by the Grammy award winning reissue team of Christopher C. King and Henry Sapoznik and was nominated for a 2009 Grammy award for "Best Album Notes."
In 2005, Ernest Jenning offered a (re-)mastered reissue of Golden Sand and the Grandstand with all-new artwork by Frank Holmes (who was the artist for the 1966 Beach Boys album Smile).
He describes this experience in his autobiographical novel, Journey Round my Skull, (Utazás a koponyám körül), originally published in 1939; a reissue appeared as a NYRB Classic in 2008 with an introduction by neurologist Oliver Sacks.
Fuck You and Then Some (stylized as !!!Fuck You!!! and Then Some) is a 1996 reissue of the Overkill EPs Overkill (1984) and !!!Fuck You!!! (1987), combined with bonus live tracks, including a cover of Black Sabbath's "Hole in the Sky."
The 2005 reissue added live performances by Van der Graaf Generator of two songs from Peter Hammill's album The Silent Corner and the Empty Stage (1974), recorded at a concert at L'Altro Mondo, Rimini, Italy.
I Ain't No Bad Gal is a compilation album by Blues singer Memphis Minnie produced for reissue in 1988 by Bob Thiele.
I've Always Been Crazy was reissued in 2004 on RCA Records; the original version had no liner notes, while those present in the reissue were written by Rich Kienzle.
In 2009, fifty years after Vian's death, a wave of books about him and his work as well as re-issues of his books (including no fewer than thirty-three Le Livre de poche editions) proved that Vian is more popular than ever, as the French magazine Le Point stated; one of the new books is a reissue of Je voudrais pas crever, illustrated by Jacques de Loustal and others.
He participated in an interview, along with Ian Anderson and Martin Barre, that was featured as a bonus track on the 1997 reissue of Thick as a Brick.
#* Alternate version from 1999 CD reissue of 1980 album Dumb Waiters
The film is also known as Law of the Wild (American reissue title), not to be confused with The Law of the Wild a 1934 serial starring Rin Tin Tin Jr.
The live versions of "Why Go", "Even Flow", "Alone", and "Garden" from this album were included as bonus tracks on the iTunes version of the 2009 Ten reissue, also known as the Legacy edition.
It was covered by Rabbitt on their 1975 album Boys Will Be Boys, by Italo-disco outfit Cat Gang in 1983, by W.A.S.P. on the reissue of their 1989 album The Headless Children (as a bonus track), Styx on their 2005 album Big Bang Theory, and Helloween on their 1999 album Metal Jukebox.
Anton Bruckner: Symphony No. 3, Virgin Veritas 4820912 (reissue)
In 1991 it was resurrected in order to reissue much of its holdings on compact disc and, in 1993, it was purchased by Sony subsidiary Legacy Records.
She provided vocals for the track "Zachem snyatsya sny?", a studio outtake included with the 2011 vinyl reissue of the 2002 album Zvezdopad.
The most recent releases by the band are Nine for Victor, a recording from a live performance in Quebec & a 2007 deluxe reissue of the band's privately issued "Live at Ken's Electric Lake" originally released a decade earlier (and with a first gatefold photo of the band by Sara Press).
The name Paul Procopolis was used to reissue recordings by the pianist Sergio Fiorentino, including the complete Chopin waltzes, extracts from Bach's Well-Tempered Clavier, and works by Liszt.
A live, in-studio version of "Squid/Octopus" was added to the H to He, Who Am the Only One reissue, while the Pawn Hearts reissue contains three of the band members' personal projects, "Angle of Incidents", "Ponker's Theme", and "Diminutions", credited to Evans, Jackson, and Banton, respectively.
The CD reissue of the Anthony Phillips' album Invisible Men includes "The Ballad of Penlee" about the incident.
The 2 record vinyl version of the reissue contains bonus tracks on the fourth album side where on the original vinyl release the fourth side had a drawing by cover artist Rita Ackermann etched directly into the vinyl.
All of the songs are available as bonus tracks on the 1995 reissue CD of A Quick One, except for "Circles", which differs from the version on the 2002 de luxe version of the My Generation LP, and can be found on Two's Missing.
Ryan's Fancy Live (Compact Disc Reissue of "An Irish Night at the Black Knight Lounge" and "15 Drink-a-Long Songs") (1995)
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15 Drink-a-Long Songs (Cassette Reissue of "An Irish Night at the Black Knight Lounge) (1982))
The most notable of these compilations are the 2003 anthology, Portrait of a Legend: 1951-1964 and Live at the Harlem Square Club, 1963, a 2005 reissue (remixed, and with improved sound) of the title concert, first released in 1985.
The album was released in the UK on vinyl by punk reissue label Solar Lodge Records (run by John Balance of Coil) and on CD as a split release on Solar Lodge/Overground.
Since March 24, 2009, Slappy (along with 1,000 Hours) has been back in print as a bonus to the vinyl reissue of the 39/Smooth album.
The label Mellotronen started 1991 with a CD reissue of Solid Grounds debut album from 1976.
The Layla Sessions: 20th Anniversary Edition (or The Layla Sessions) released September 1990 is an anniversary edition reissue of the Layla and Other Assorted Love Songs album by Derek and the Dominos, who disbanded in 1971.
In addition to the original artwork from the CDr print, the reissue features two photographs of goat horns which are credited to Balance's partner, Ian Johnstone.
Initially, Weakling was mainly noted for featuring guitarist Josh Smith of The Fucking Champs (fellow Champ Tim Green served as producer), but a recent reissue of their material has brought their work some more attention, and the album has been hailed in some circles, and by musicians including Fenriz of Darkthrone, as a masterpiece.
The reissue includes a booklet with liner notes by Ron Forbes-Roberts and notes by musicians Ferguson, Emmons, and Kenny Malone.
Other volumes in the White Crane series include Mark Thompson's Gay Spirit: Myth & Meaning, Toby Johnson's Gay Spirituality, James Broughton's posthumous collection of writings under the title All edited by poet and KPFA radio host Jack Foley, and a reissue of Take Off The Masks by Malcolm Boyd.
The 2004 reissue of Elvis Costello's 1995 album Kojak Variety contains a bonus disc including a cover version.