Radcliffe's elaborate description of landscapes was influenced by the painters Claude Lorrain and Salvator Rosa.
He was one of the first Italian painters to paint a canvas wherein landscape took priority over figures, such as his masterful The Flight into Egypt; this is a genre in which he was followed by Domenichino (his favorite pupil) and Claude Lorrain.
The Claude glass is named for Claude Lorrain, a 17th-century landscape painter, whose name in the late 18th century became synonymous with the picturesque aesthetic.
As private secretary to Pope Urban, among his most valuable services was that of purchasing old works of art, or commissioning new works, for that inveterate collector; among the artists he encouraged was Claude Lorrain.
He specialises in allegorical paintings that include contemporary images (generally on controversial topics in Western cultural history) in idyllic scenes based on classical paintings such as the pastoral works of Claude Lorrain and Caspar David Friedrich.
He has catalogued all the French Drawings in the museum, and authored and co-authored several books on artists including Ingres, Puvis de Chavannes and Claude Lorrain.
Claude Lorrain (1600–82), a 17th-century French artist of the baroque style
From 1813 she made copies from the old masters in the gallery of the British Institution in Pall Mall, and in 1815 was awarded a gold medal by the Institution for her copy of Claude's The Embarkation of the Queen of Sheba.
Kitson became an international authority on Claude Lorrain and organized the first Lorrain exhibition at the Hayward Gallery, London, in 1969.
His collection of Old Masters, including Veronese, Titian, Claude Lorrain and Rubens, and a fabulous collection of drawings, was broken up and sold after his death, raising the immense sum of £26,000.
The collection of Teylers Museum is most famous for its extensive collection of old master's prints and drawings, including 25 works by Michelangelo - among them preliminary studies for the fresco’s on the ceiling of the Sistine Chapel - and important works by Raphael, Guercino, and Claude Lorrain.
The wings of the long main house have circular pavilions with preserved decorated vaulted roofs, where formerly the family displayed their art collection, which reputedly held works by Hans Holbein, Nicolas Poussin, Claude Lorrain and Antoine Watteau .
Claude Monet | Claude Debussy | Claude Lorrain | Claude François | Jean-Claude Van Damme | Claude Lévi-Strauss | Claude Royet-Journoud | Claude Chabrol | Jean-Claude Carrière | Claude Vivier | Claude Shannon | Claude Berri | Jean-Claude Colin | Claude Rains | Claude Bowes-Lyon, 13th Earl of Strathmore and Kinghorne | Christo and Jeanne-Claude | Jean-Claude Gérard | Claude Lelouch | Claude Jade | Claude Garamond | Claude Bolling | Claude Auchinleck | Jean-Claude Duvalier | Claude Thornhill | Claude Simon | Claude Nicollier | Claude Mollet | Claude Lecouteux | Claude Joseph Vernet | Claude Dubois |
Camillo Massimo (20 July 1620 – 12 September 1677) was an Italian cardinal in 17th century Rome, best remembered as a major patron of Baroque artists such as Pouissin, Lorrain, Velázquez, Duquesnoy, Algardi, Francesco Fontana and Cosimo Fancelli.
There are also landscapes and mythological scenes by Claude Lorrain, Gabriel Briard, Nicolas-Antoine Taunay, a Still-life by Pierre-Auguste Renoir and works by the painters of the School of Paris, like Chaim Soutine and Maurice de Vlaminck, beside two important canvases by Marc Chagall: À la campagne and Couple with flowers and a rooster.
Filippo Baldinucci, the biographer of Claude Lorrain, asserts that Cardinal Bentivoglio launched the artist's career by purchasing two landscapes by him, which brought the artist to the attention of Urban VIII.
Influenced by the techniques of Rosa, Lorrain, Poussin, Raeburn and renowned English landscape artist Turner, he developed a broad Romantic style, and became a landscape artist with an established reputation.
The drawings collection holds some 200 drawings by Bronzino, Guardi, Claude Lorrain, Le Brun, Oudry, Greuze, Géricault, Friesz.
In spite of his poverty he managed to get to Rome in 1636; there he studied the paintings of Nicolas Poussin, Claude Lorrain and Caravaggio among his eclectic selection of models, until he was forced to flee in 1638, to escape denunciation by the Inquisition for his Protestant faith.