This character is found in Umberto Eco's Foucault's Pendulum (chapter 41) with the spelling 'Eurynomius' as an example of a "principal of evil."
In Chapter 62 of Foucault's Pendulum the Ramsinga is also mentioned, being played by a devotee of a druidic sect .
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Analyzing seminal works by modern and postmodern philosophers such as Rousseau, Kant, Marx, Sartre, Arendt, Foucault, and Derrida, Ophir submits that to be moral is to care for others, and to be committed to preventing their suffering and distress.
A devotee of the work of Michel Foucault, his research extended and localised Foucault's history of madness to England and Wales.
Charles de Foucauld, explorer of Morocco, Catholic religious and priest
According to Nicholas Thomas, who draws on the work of Michel Foucault, modernity can be understood as a colonialist project, wherein “societies internal to Western nations, and those they possessed, administered and reformed elsewhere”, were framed as objects to be surveyed and regulated (Thomas, 1994: 4).
In Sur écoute. Esthétique de l'espionnage (2007), he draws on Foucault's analysis of the Panopticon and Deleuze's Postscript on the Societies of Control in order to show how the act of listening always entails issues of power and dominion.
Examining the work of Eliot, Auden, Nietzsche, Heidegger, Foucault and more, Kimball critiques the ways in which these writers deal with what he views as the intellectual and moral deterioration of modernity.
Identity studies by Descartes (I think therefore I am), followed by Freud (id, ego and super ego), Erikson (ego as an identity within a social reality), Goffman (dramaturgical theory), and Foucault (the materiality of technologies of the self) were essential theoretical precursors upon which the discipline of Technoself Studies was built.
The Practice of Everyday Life re-examines related fragments and theories from Kant and Wittgenstein to Bourdieu, Foucault and Détienne, in the light of a proposed theoretical model.
A slightly more sophisticated model of a vanity press is described by Umberto Eco in Foucault's Pendulum.